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Interviews & Press Jobs
In the non-fiction sector, “interviews and press” roles generally fall under publicity, marketing, and specialized editorial categories. These positions involve managing an author’s public image, securing media coverage, and facilitating discourse around factual works.
Common Non-Fiction Press & Interview Roles
- Publicist / Publicity Manager: The primary role responsible for “press.” Duties include writing press releases, building journalist contact lists, and pitching authors for interviews on TV, radio, and podcasts.
- Marketing Manager: Focuses on paid and organic promotion, often managing social media, newsletters, and digital ads to drive reader engagement.
- Acquisitions Editor (Non-Fiction): While primarily editorial, these roles require “press-facing” skills to represent titles at sales meetings and maintain relationships with high-profile agents.
- Ghostwriter: A specialized non-fiction role where the writer uses extensive interviews with a subject to draft their memoir, business book, or expert guide.
- Interviewer/Freelance Journalist: Specific publications like The Paris Review or Electric Literature hire writers specifically to conduct and edit long-form interviews with authors.
Top Employers for Non-Fiction Press Jobs
- Major Publishing Houses: Penguin Random House, HarperCollins, Simon & Schuster, and Hachette Book Group frequently hire for publicity and editorial roles.
- Mid-Sized & Academic Presses: Organizations like Bloomsbury, Graywolf Press, and Amazon Publishing have dedicated non-fiction teams.
- Literary Magazines: Publications such as The Paris Review and The Sun Magazine actively seek editors who can curate and conduct high-quality interviews.
To Specialize, or Not to Specialize?
Mary Anne Hahn
Okay, so you’ve decided that you want to write for fun and profit, and not necessarily in that order. Perhaps you’ve already abandoned your day job to pursue your dream of the full-time writing life, or maybe you just want to test the waters part-time until you have the guts (and money) to jump in with both feet. In any event, you’ve decided that you want to start your own writing business.
Syndication 101
How to get your foot in the door without getting it stepped on.
By Perucci Ferraiuolo
It has long been held that an editor is a man or woman who knows exactly what he or she wants, but doesn’t know what it is. Never is it more true than within the syndication marketplace. And, I’ve found that most editors know what they want based on what they DON’T want. In other words, they know the “junk” and are only looking for the “treasure.”
Submitting to UK Markets
Grady Hanrahan
“God save the queen.”
These are the words of the British, of course, but British words known throughout the world. Less known in the United Kingdom, perhaps, are the markets that wait for eager writers to explore, conquer and reap financial awards. Our reaction to this naivete – and, as expected, a general assumption, is that North America has cornered most writing markets. This is simply not the case.
Selling to Children’s Markets
Jennifer Drewry
One of the first questions a new children’s writer asks is, “I have a story, who can I sell it to?” In the children’s market there are many places. Some of the best places to sell your work are children’s magazines. However, don’t just haphazardly send them their, buy a copy of the magazine and read it. Get to know what the magazine is looking for, the style of the writers. There are many magazines for children out there and they are all different in what it is they are looking for.
How To Be a (Shiver) Reporter
Linda Sherwood
Looking for a career as a newspaper reporter? Or just looking for some extra money while you wait for the first royalty checks from your promising book to start coming in? Try taking a walk to your local newspaper office. It is unlikely you will be able to snag a job at a large, daily paper without a college degree or years of experience, but you can snag a permanent or semi-permanent job at a smaller newspaper without formal training. Requirements for reporters at these smaller papers are less stringent. While you won’t get rich working at these smaller papers, it is a great educational experience and it can be a steady paycheck.
EBooks-Fears to Possibilities
Jewel Stone (awa Dominique Sinclair)
Epublishing. The word evokes an emotional response in all who hear the word. Fear, doubt, question, possibilities are some of the words that flutter through the mind when epublishing is brought up. Many fear epublishing will someday take over print books. Some doubt epublishing will evolve. Others question the technology. And yet, the possibilities . . . they are endless.
Agents: Knowing When To Hold One and When To Fold
Shirley Kawa-Jump
Agents can be a wonderful thing, IF they are working for you and with you. I have negotiated deals with agents, without agents, and have fired agents who didn’t seem to be on the same page as I was. Overall, I believe having an agent makes things happen faster, but they are certainly no guarantee for success.
Getting Offers from Multiple Literary Agents
Mary Kole
Every writer dreams of getting offers from multiple literary agents, right? Maybe. A reader asked about what a writer should do if they happen to get offers of representation from multiple agents. First of all, congratulations are in order. An offer of representation is professional validation to a writer who has, most likely, not really gotten such praise and confidence from an expert source.
Need a Clip? Open a Newspaper
Shirley Jump
As any fledgling writer knows, there’s a giant Catch-22 in the publishing world – can’t get published without clips and can’t get clips without getting published.
Freelance Writing 101
Angela Adair
Anyone can be a writer, anywhere! Freelance writing was one of the premiere home-based businesses of all time. From the vintage typewriter to the high-tech home computers of today, freelance writing has remained a reliable source of income for wordsmiths worldwide. Their clients include magazines, newsletters, newspapers, book publishers, greeting card firms, gaming companies, and corporate clientele.













