FICTION - For writers of all genre, and the readers who love them. Find what you want to know.
Fiction Writing
If you want to learn how to tell a great story or make a great story even better, you’ve come to the right place. Here, learn lots of secrets for pumping up your fiction and making every word work harder on the page.
Genre Fiction
A genre is the subject matter or category that writers use. For instance, science fiction, fantasy and mystery fiction are genres. Genre fiction also known as popular fiction, is plot-driven fictional works written with the intent of fitting into a specific literary genre, in order to appeal to readers and fans already familiar with that genre.
Genre fiction is storytelling driven by plot, as opposed to literary fiction, which focuses more on theme and character. Genre fiction, or popular fiction, is written to appeal to a large audience and it sells more primarily because it is more commercialized. An example is the Twilight series which may sell more than Herman Melville’s Moby Dick, because the “Twilight” novels deal with elements of pop culture – romance and vampires.
Literary Fiction
Literary fiction is fictional works that hold literary merit, that is to say, they are works that offer social commentary, or political criticism, or focus on aspect of the human condition.
Literary fiction is usually contrasted with, popular, commercial, or genre fiction. Some have described the difference between them in terms of analyzing reality (literary) rather than escaping reality (popular). The contrast between these two categories of fiction is controversial among some critics and scholars.
Elements of Fiction
Character
Author Jenna Blum described the process of creating a character: “It feels like having a string dangle out of thin air and you pull on the string, and the next thing you know, a sweater knits itself out of nowhere and you have a character who is made out of whole cloth.”
Characterization is one of the five elements of fiction, along with plot, setting, theme, and writing style. A character is a participant in the story, and is usually a person, but may be any persona, identity, or entity whose existence originates from a fictional work or performance.
Characters may be of several types:
Point-of-view character: the character by whom the story is viewed. The point-of-view character may or may not also be the main character in the story.
- Protagonist: the main character of a story
- Antagonist: the character who stands in opposition to the protagonist
- Minor character: a character that interacts with the protagonist. They help the story move along.
- Foil character: a (usually minor) character who has traits opposed to those of the main character
Plot
The plot, or story line, is the rendering and ordering of the events and actions of a story. Starting with the initiating event, then the rising action, conflict, climax, falling action, and ending possibly with a resolution.
Plot consists of action and reaction, also referred to as stimulus and response and has a beginning, a middle, and an ending.
The climax of the novel consists of a single action-packed sentence in which the conflict (problem) of the novel is resolved. This sentence comes towards the end of the novel. The main part of the action should come before the climax.
Plot also has a mid-level structure: scene and sequel. A scene is a unit of drama—where the action occurs. Then, after a transition of some sort, comes the sequel—an emotional reaction and regrouping, an aftermath.
Setting
Setting is the locale and time of a story. The setting is often a real place, but may be a fictitious city or country within our own world; a different planet; or an alternate universe, which may or may not have similarities with our own universe. Sometimes setting is referred to as milieu, to include a context (such as society) beyond the immediate surroundings of the story. It is basically where and when the story takes place.
Theme
Theme is what the author is trying to tell the reader. For example, the belief in the ultimate good in people, or that things are not always what they seem. This is often referred to as the “moral of the story.” Some fiction contains advanced themes like morality, or the value of life, whereas other stories have no theme, or a very shallow one.
Style
Style includes the multitude of choices fiction writers make, consciously or not, in the process of writing a story. It encompasses not only the big-picture, strategic choices such as point of view and choice of narrator, but also tactical choices of grammar, punctuation, word usage, sentence and paragraph length and structure, tone, the use of imagery, chapter selection, titles, etc. In the process of creating a story, these choices meld to become the writer’s voice, his or her own unique style.
For each piece of fiction, the author makes many choices, consciously or subconsciously, which combine to form the writer’s unique style. The components of style are numerous, but include point of view, choice of narrator, fiction-writing mode, person and tense, grammar, punctuation, word usage, sentence length and structure, paragraph length and structure, tone, imagery, chapter usage, and title selection.
Narrator
The narrator is the story teller. The main character in the book can also be the narrator.
Point of View
Point of view is the perspective (or type of personal or non-personal “lens”) through which a story is communicated. Narrative point of view or narrative perspective describes the position of the narrator, that is, the character of the storyteller, in relation to the story being told.
Tone
The tone of a literary work expresses the writer’s attitude toward or feelings about the subject matter and audience.
Suspension of Disbelief
Suspension of disbelief is the reader’s temporary acceptance of story elements as believable, regardless of how implausible they may seem in real life.
Source: Wikipedia
AGENTS & EDITORS
- Agents: Knowing When To Hold One and When To Fold
- Getting Offers from Multiple Literary Agents
- Literary Agents List
- Preditors and Editors
- Publishing, Writing Terms, Acronyms
- Tips for a Successful Editor Appointment
- Want More? Here’s How to Get It
- What NOT to Do When Beginning Your Novel
- Windup for the (Story) Pitch
- Write the Perfect Book Proposal
CHARACTERIZATION
- 24 Jobs for Fantasy Characters
- 5 Tips for Writing Conflict into Your Book
- 60 Ways to Create and Heighten Conflict
- Craft True-to-Life Nonfiction Characters
- Crafting Romantic Suspense
- Dynamic Characters
- Fiction vs Nonfiction
- How to Write Effective Dialogue in 6 Steps
- Knowing and Finding Your Voice
- Painting With A Character’s Brush
- Slang and Jargon Souces
- The Sticky Story
- What is Characterization?
- Why Your Story Conflict Isn’t Working (And How to Fix It)
- Working with a Critique Group
CONFLICT
DIALOGUE
FORMATTING & GRAMMAR
- Achieving 250 Words / 25 Lines Per Page
- And Sammy, too? Oh, No!
- Changing Double Hyphens to EM Dashes in Word
- Edit Easier
- High Hopes–Avoiding Common Mistakes
- Misused Words
- Navigating In Your Novel
- Proofreaders Marks
- Research Links
- Rules for Writers
- Slang and Jargon Souces
- Tightening Your Manuscript and Trimming the Word Count
MARKETS
- 35 Online Work Ideas to Earn Good Money Whilst Studying
- Agents: Knowing When To Hold One and When To Fold
- An Interview with Holly Ambrose
- Copyright Primer, Know Your Rights
- EBooks-Fears to Possibilities
- Finding Markets Fiction and Nonfiction
- Freelance Writing 101
- Getting Offers from Multiple Literary Agents
- How To Be a (Shiver) Reporter
- How To Market Your Book After You’ve Written It
- How to Write a Novel Synopsis
- How To Write Your Own Press Releases
- Love to Write: Here Is How You Can Build Your Career
- Magazine Links
- Making Money As a Corporate Freelancer
- Market News–All Genres
- Need a Clip? Open a Newspaper
- Newspaper Writing Resources
- Path to Self-Publishing Success
- Publishing, Writing Terms, Acronyms
- Science Writing Organizations
- Selling to Children’s Markets
- Submission Tracking
- Submitting to UK Markets
- Syndication 101
- To Specialize, or Not to Specialize?
- Ultimate Guide to Being a Freelancer 2023 Update
- What Are Your Chances of Getting Published?
- Why Article Writing Should Be A Part Of Your Career Development Strategy
- Why E-Books?
- Write the Perfect Book Proposal
- Write Your Way to $1000 a Month
- Writing Groups List
- Youth Writing Markets
PLOTTING
- 3 Ways to Know When to End Your Chapters
- 7 Excellent Plotting Tips from Agatha Christie
- 7 Ways to Add Great Subplots to Your Novel
- 8 Best Writing Tips to Become a Best Storyteller
- Does Your Plot Need a Subplot?
- Love to Write: Here Is How You Can Build Your Career
- The All Purpose Plot
- Turning Points and Plot Points in Storytelling
- What NOT to Do When Beginning Your Novel
- Writing the Novel by the Numbers
POINT OF VIEW
PUBLISHING
- Agents: Knowing When To Hold One and When To Fold
- Copyright Primer, Know Your Rights
- Getting Offers from Multiple Literary Agents
- How To Market Your Book After You’ve Written It
- How to Write a Novel Synopsis
- Love to Write: Here Is How You Can Build Your Career
- Making Money As a Corporate Freelancer
- Path to Self-Publishing Success
- Publisher’s Websites
- Publishing, Writing Terms, Acronyms
- Science Writing Organizations
- Submission Tracking
- Syndication 101
- The Great Limbo Mystery Question
- What Are Your Chances of Getting Published?
- Why Article Writing Should Be A Part Of Your Career Development Strategy
- Why E-Books?
- Write the Perfect Book Proposal
QUERIES & PROPOSALS
- Agents: Knowing When To Hold One and When To Fold
- Getting Offers from Multiple Literary Agents
- How to Write a Novel Synopsis
- Landing An Agent Elements Of A Winning Query
- Path to Self-Publishing Success
- Publishing, Writing Terms, Acronyms
- Science Writing Organizations
- Submission Tracking
- Surviving a Book Proposal
- Windup for the (Story) Pitch
- Write the Perfect Book Proposal
- Writing a Synopsis & Query Letter
SUBMISSIONS
- Agents: Knowing When To Hold One and When To Fold
- An Interview with Jack Fisher
- EBooks-Fears to Possibilities
- How to Write a Novel Synopsis
- Literary Agents List
- Newspaper Writing Resources
- Path to Self-Publishing Success
- Publishing, Writing Terms, Acronyms
- Science Writing Organizations
- Selling to Children’s Markets
- Submission Tracking
- Surviving a Book Proposal
- What Are Your Chances of Getting Published?
- Write Your Way to $1000 a Month
- Writing a Synopsis & Query Letter
SYNOPSIS
TIP SHEETS & GUIDELINES
WRITING TOOLS & APPS
- And Sammy, too? Oh, No!
- Beyond the Basics
- Changing Double Hyphens to EM Dashes in Word
- Dumb Little Writing Tricks That Work
- Finding Your Writing Compass: A Guide to Freelance Adventures
- Free AI Tools That Can Be Used In Business Writing
- Helpful Books
- High Hopes–Avoiding Common Mistakes
- Ideas Escape Me
- Knowing Your Target Audience
- Magazine Links
- Misused Words
- Newspaper Writing Resources
- Path to Self-Publishing Success
- Reconsider Hand Writing
- Research Links
- Slang and Jargon Souces
- The 8 Habits of Highly Successful Young-Adult Fiction Authors
- Unblocking Your Muze
- Various Types of Writing for Young Writers
- What NOT to Do When Beginning Your Novel
- Why Article Writing Should Be A Part Of Your Career Development Strategy
- Word Processors Through Time: Before MS Word & Google Docs
- Working with a Critique Group
- Writing Groups List
- You Can Write A Short Story Part 1 The Story Idea
- You Can Write A Short Story: Part 2 The Meat of the Story
- You Can Write A Short Story: Part 3 The Climax
WRITING CONTESTS
WRITING CONTESTS
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