60 Calls for Submissions in June 2021 – Paying markets

RESOURCES-TIPS: For writers of all genre who want to write, and the readers who love them.

If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn't matter a damn how you write.
- Somerset Maugham

All the words I use in my stories can be found in the dictionary -- it's just a matter of arranging them into the right sentences.
- Somerset Maugham

Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
- Alice Munro

If you write one story, it may be bad; if you write a hundred, you have the odds in your favor.
- Edgar Rice Burroughs

Rejection slips, or form letters, however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil -- but there is no way around them.
Isaac Asimov

To write fiction, one need a whole series of inspirations about people in an actual environment, and then a whole lot of work on the basis of those inspirations.
- Aldus Huxley

Get it down.  Take changes.  It may be bad, but it's the only way you can do anything really good.
- William Faulkner

Books aren't written, they're rewritten.  Including our own.  It is one of the hardest things to accept, especially after the seventh rewrite hasn't quite done it.
- Michael Crichton

Any man who keeps working is not a failure.  He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he'll eventually make some kind of career for himself as a writer.
- Ray Bradbury

60 Calls for Submissions in June 2021 – Paying markets

PUBLISHED TO DEATH

“This June there are more than four dozen calls for submissions. All of these are paying markets, and none charge submission fees. As always, every genre, style, and form is wanted, from short stories to poetry to essays.

I post calls for submissions on the first day of every month. But as I am collecting them, I post them on my page, Calls for Submissions. You can get a jump on next month’s calls for submissions by checking that page periodically throughout the month. (I only post paying markets.)

Also see Paying Markets for hundreds of paying markets arranged by form and genre.

Happy submitting.”  https://publishedtodeath.blogspot.com/


AUSTIN MACULLEY PUBLISHERS

We accept manuscripts across all genres, with or without an agent, from anywhere in the world. Whether you are a new author or have been previously published, Austin Macauley Publishers™ would like to hear from you. The review process may take up to six weeks. We will contact you once a decision has been reached.

https://www.austinmacauley.com/am-publishers-submissions


INTERNATIONAL WRITERS’ COLLECTIVE

Great places to submit for new & unpublished writers.  It can be intimidating sending out your writing for the first time (or even the 10th time), so this month we decided to focus on literary journals and online magazines that are extra friendly to new and unpublished writers. Some will even pay you! In order to make our list, journals also had to accept flash fiction, short stories, poetry and creative nonfiction; charge no fees; accept simultaneous submissions; and respond with a yea or a nay within a reasonable timeframe. We also made an effort to pick journals that haven’t appeared on one of our previous lists so make sure to check our other suggestions of great places to submit.

https://internationalwriterscollective.com/great-places-to-submit-for-new-and-unpublished-writers/

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20 Literary Agents Seeking Writers

RESOURCES-TIPS: For writers of all genre who want to write, and the readers who love them.

If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn't matter a damn how you write.
- Somerset Maugham

All the words I use in my stories can be found in the dictionary -- it's just a matter of arranging them into the right sentences.
- Somerset Maugham

Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
- Alice Munro

If you write one story, it may be bad; if you write a hundred, you have the odds in your favor.
- Edgar Rice Burroughs

Rejection slips, or form letters, however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil -- but there is no way around them.
Isaac Asimov

To write fiction, one need a whole series of inspirations about people in an actual environment, and then a whole lot of work on the basis of those inspirations.
- Aldus Huxley

Get it down.  Take changes.  It may be bad, but it's the only way you can do anything really good.
- William Faulkner

Books aren't written, they're rewritten.  Including our own.  It is one of the hardest things to accept, especially after the seventh rewrite hasn't quite done it.
- Michael Crichton

Any man who keeps working is not a failure.  He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he'll eventually make some kind of career for himself as a writer.
- Ray Bradbury

20 Literary Agents Seeking Writers

Earlier this week, I updated our list of 20 literary agents actively seeking writers with our most recent new agent alerts. Newer agents are great, because they’re the most likely to be interested in your project if it’s good and a good match for what they’re seeking. So let’s get into this. Read the full article…

 

AGENTS & EDITORS

CALLS FOR SUBMISSION

COMPUTER TIPS

CONTESTS

All Writing Contests

FORMATTING & GRAMMAR

MOTIVATION

PUBLISHING

WRITER'S BLOCK & TOOLS

WRITER'S LIFE

Subscribe: Monthly Mailouts

* indicates required

Publishing, Writing Terms, Acronyms

RESOURCES-TIPS: For writers of all genre who want to write, and the readers who love them.

If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn't matter a damn how you write.
- Somerset Maugham

All the words I use in my stories can be found in the dictionary -- it's just a matter of arranging them into the right sentences.
- Somerset Maugham

Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
- Alice Munro

If you write one story, it may be bad; if you write a hundred, you have the odds in your favor.
- Edgar Rice Burroughs

Rejection slips, or form letters, however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil -- but there is no way around them.
Isaac Asimov

To write fiction, one need a whole series of inspirations about people in an actual environment, and then a whole lot of work on the basis of those inspirations.
- Aldus Huxley

Get it down.  Take changes.  It may be bad, but it's the only way you can do anything really good.
- William Faulkner

Books aren't written, they're rewritten.  Including our own.  It is one of the hardest things to accept, especially after the seventh rewrite hasn't quite done it.
- Michael Crichton

Any man who keeps working is not a failure.  He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he'll eventually make some kind of career for himself as a writer.
- Ray Bradbury

Publishing, Writing Terms, Acronyms

Note: The majority of these terms came from the glossary in How To Publish Your Articles A Complete Guide to Making the Right Publisher Say Yes”  by Shirley Jump

A

acquiring editor – The person at a publication who has the power to make article-buying decisions.  The editor who performs this job may not have this actual title, but may instead have the title of editor in chief, managing editor, section editor, submissions editor, or executive editor.

advertising schedule – The calendar for advertisers that details when ads need to be placed for particular issues of a publication. This schedule often runs parallel to the editorial calendar.

all rights – A type of rights, granted in a contract, that gives the publisher legal permission to reproduce the article, or do anything else he wants with it, forever. The author of the article can never resell that particular piece to another publication.

angle – The defined approach taken in an article by the writer. Also called a slant, this is one facet of the larger topic on which the writer has chosen to focus.

AP style – The preferred writing style of the Associated Press. This is the predominant style used by newspapers. The details for this style–which include the formatting of numbers, capitalization, abbreviation, etc.–are found in the Associated Press Stylebook and Libel Manual.

APA style – One of two main styles used in academic papers, the other being MLA style. APA style is established by the American Psychological Association. Information on this style can be found in the Publication Manual of the American Psychological Association.

art – The industry term for any graphics, photographs, or other images that might accompany an article.

ASCII format – Also known as text only, this format strips a file of all formatting–boldface, italics, etc.–and converts it to a single-spaced, plain document that can be read by most software programs.

assignment – An article that is given to a writer by an editor, with a specific deadline. Assignments usually result from query letters and are accompanied by a contract or a letter of agreement.

attachment – A file attached to an e-mail message. With the number of viruses floating around, most editors don’t want attachments. They would prefer you to save your article as an ASCII (text only) file and paste it into the body of the e-mail message.

audience – The readers of a specific publication. These are the people you are directly trying to reach with your article.

audience profile – An analysis of the average reader of a targeted publication. Compiled using demographics and a market analysis, an audience profile helps the writer determine exactly which angle to take with the article.

author biography – A list of a writer’s credits. Also called an author bio, most are a page in length and list only the most relevant or prestigious publishing credits. See also curriculum vitae.

author copies – Copies of a publication that are given to the author of an article printed in that issue. See also tear-sheet.

  

B

banner – The title and publication date of a newspaper, magazine, or other periodical. The banner appears on the front cover of the publication.

beat  – A subject area or industry that is assigned to a newspaper staff reporter. For instance, the reporter can be assigned to report on all crime activity, on political happenings, or on specific news for one town or region.

billboard paragraph – The paragraph that sums up the general angle of an article, providing the essential points that the piece will cover. This is also referred to as the nut graph or theme graph.

body – The main portion of an article. This is where the writer provides solid information, answering the reader’s questions and illuminating the subject. The body follows the lead and precedes the conclusion.

byline – The name of the author as printed at the top or end of an article.

    

C

catalog envelope – An envelope that measures 10 inches by 13 inches. Because this envelope is large enough to enclose a long article and keep it flat during mailing, it is perfect for a submission package.

Chicago style – The style set by the University of Chicago. Most consumer publications use either Chicago style, detailed in The Chicago Manual of Style, or AP Style when making decisions regarding punctuation, spelling, abbreviation, and other elements of writing style.

circulation – The number of people who buy and/or receive a given publication. This can be either a closed circulation or an open circulation.

clips – Copies of published articles submitted by a writer to an editor. Usually, a writer includes two or three photocopied samples of work with asubmission package or query letter to demonstrate his experience in a particular area of writing.

closed circulation – Readership that is limited to subscription or membership. This is the case with many trade journals and academic journals. See also circulation;open circulation.

contract – The formal written agreement between a writer and publisher that defines the rights and responsibilities of each party. The contract should spell out what rights the publication is buying, along with the deadline for the article; any kill fee; any extra material the editor wants the writer to provide, such as art or a sidebar; and other important terms.

contributing editor – An honorary editor who also provides articles for a publication. Contributing editors are usually given a position on the masthead, and are often recognized experts in a given field

copy – Actual lines of writing. This is the text in an article or other piece of writing.

copyeditor – The person at a publication who is in charge of correcting and proofreading articles. This editor makes changes in the copy and double-checks it for grammatical errors, spelling problems, and other possible mistakes.

copyright – The legal overall right granted to an author or publisher for ownership of a written work. Under this ownership comes a number of specific rights, including the exclusive rights to print, sell, distribute, or translate a work. Putting a copyright notation on your work reminds others that it is your creation.

copywriting – Providing copy for corporations or marketing and advertising agencies. This can range from the writing of press releases to that of brochures and website material, depending on the needs of the client

cover letter – A short letter written to an editor to spark his interest in an article. The cover letter is accompanied by a copy of the already-written article. If the article has not yet been written, the writer sends a query letter instead.

curriculum vitae – A summary of an academic’s educational and professional background.  Usually, a vitae should be only a couple of pages in length and list only the most relevant and prestigious credentials.

   

D

defamation – Damage of a person’s reputation, character, or good name via something that is written (libel) or spoken (slander).

demographics – Statistics that profile specific characteristics of a human population, such as age, gender, income level, level of education, and region of the country.

dramatic, television, and motion picture rights – The right to sell an article or story for dramatic adaptation. Writers who have written human interest articles should try to retain these rights when signing a contract with a publication in case other media representatives are interested in the piece.

    

E

editor – The person at a publication who works with the writer, shaping the article and making it fit the publication. The editor also gives out assignments, sends out contracts or letters of agreement, and serves as the writer’s main point of contact. See also acquiring editor; copyeditor; editorial assistant; editor-in-chief; managing editor; section editor.

editorial – A first-person consumer or academic article that expresses one individual’s view of a topic. These pieces are usually less than 900 words in length and are sometimes called op-eds when they are written for newspapers.

editorial assistant – The person at a publication who helps an editor by making photocopies, filing, etc. The editorial assistant is the first to see unsolicited material and usually makes the first decision regarding the material’s appropriateness for the publication.

editorial calendar – A publication’s internal schedule in which the editors lay out their themes for the coming year’s issues. These calendars are generally created at the end of the year. Writers can request a copy of the editorial calendar along with the writer’s guidelines, or can search for the calendar online. Often, the editorial calendar is the same as or runs parallel to the advertising schedule.

editorial lead time – The amount of time between an article’s deadline and its publication date. This can vary from two to nine months, depending on the publication.

editor-in-chief – The person at a publication who oversees the editorial staff and ensures that all articles fit the publication’s editorial focus. The editor-in-chief has the final say over everything that runs in the publication.

electronic rights – A blanket term that encompasses all reprints of an article in electronic form–on websites, in online magazines, in CD-ROMs, in databases, etc. Any of these existing technologies, as well as any emerging technologies, can be lumped into this category.

e-query – An electronic query. An e-query is less formal than a traditional mailed query, and gets to the point of the letter faster. The language can be somewhat less formal but should accomplish the same goals as a regular query letter.

e-submission – An electronic submission. In general, these are pasted into the body of an e-mail (to fend off potential virus attachments) in ASCII (text only) format.

evergreen – A story or article that is recycled year after year, and is usually run to coincide with certain seasons. Almost every consumer publication carries some type of evergreen, whether it is an annual story on weight loss or one on Christmas baking.

e-zine – An online magazine. Some of these have print counterparts, but predominantly, they are limited to web distribution.

    

F

fact checker – A staff member employed by a publication to check the facts in every article before it is printed. Fact checkers use the source list submitted by the writer to verify the quotes, statistics, and other information that appear in the article.

fair use – A provision in the copyright law that allows for limited copying of published works without permission. Because the law is subject to different interpretations, it is generally best to avoid quoting fromcopyrighted material.

feature article – An article that is presented as a special attraction in a magazine, newspaper, or journal. This piece is usually the cover article, meaning that there is a mention of it on the cover of the publication. It is similar to a news story, and is usually written in the third person. In an academic journal, a feature article is designed to provide in-depth, comprehensive information on breakthrough thinking and its application in the reader’s world.

fiction – A story invented by the imagination. Can include elements from real life. Example: A story you made up about your dog.

filler – A short article of 200 words or less that does exactly what its name implies–it fills a space. Depending on the publication, fillers can range from news stories that don’t merit feature treatment to humor pieces, anecdotes, puzzles, jokes, and poems. These articles are usually written in third person and represent one of the best opportunities for a new writer to break into a publication.

First North American Serial Rights – The rights most commonly granted in a contract. Also called First North American Serial Rights (FNASR), these rights grant the publisher of a periodical (a serial) the exclusive right to print an article first. After these rights expire, the writer is free to resell the article.

first person – Writing that has the “I” viewpoint, meaning that it is seen from the writer’s point of view. First-person writing is used often in personal essays, humor pieces, and other articles that describe the writer’s direct experiences. This style builds a relationship with the reader, as if the writer were telling the story to a friend.

first serial rights – The rights most commonly granted in a contract. Also called First North American Serial Rights (FNASR), these rights grant the publisher of a periodical (a serial) the exclusive right to print an article first. After these rights expire, the writer is free to resell the article.

FNASR – The rights most commonly granted in a contract. Also called First North American Serial Rights (FNASR), these rights grant the publisher of a periodical (a serial) the exclusive right to print an article first. After these rights expire, the writer is free to resell the article.

format – The manner in which a submitted article should be physically set up on the page. This information is often found in the writer’s guidelines, and covers such parameters as margins, line spacing, and font. When in doubt, use the standard one-inch margins, double-spacing, and an easy-to-read font like Times New Roman (12pt) or Courier (12pt)

    

G

genre – A French word meaning sort or kind. A distinctive type or category of written work; epic, tragedy, comedy, novel, science-fiction, mystery, young adult, biography, etc. Example of use: “I write in the mystery fiction genre.”

    

H

header – The information printed at the “head” of a submitted article, running along the top of the page. The header should include the article’s title or a keyword for the title, the writer’s last name, and the page number.

headline – The title of an article. This short line should be kept to seven words or less, and use strong, active phrasing to encapsulate the piece and attract the attention of the reader. It is sometimes followed by a “subhead” that further explains the focus of the article.

homogeneous readership – A readership in which everyone shares common beliefs and interests. This is often found in trade journals and other publications that are distributed to readers who work within the same field, but may also be found in small local newspapers.

hook – The opening of an article or query letter that draws the reader in and interests him in the material.

how-to article – A consumer-oriented article that provides step-by-step information on completing a physical or creative project–fixing a car, planting watermelons, or decorating a cake. Usually written in second person, these articles can range widely in word count.

human interest article – An article that touches the heart of readers. These are often stories of people overcoming tragedies, learning from setbacks, or caring for others

humor piece – An article designed to entertain people and make them laugh. Most humor pieces are written in first person and run no longer than 1,000 words in length.

     

I

in-house – Within a specific publication’s staff. Editors, for instance, may refer to “in-house style, “or specific articles may be written “in-house”–by the staff of the publication.

interview – A conversation conducted by a writer for the purpose of eliciting facts and statements form another individual.  Interviews may be conducted in person, on the phone, by e-mail, by postal mail, or by fax.

invoice – A bill sent to a publication by the freelance writer of an article after the piece has been completed and approved. Writers should always submit an invoice so there is a paper trail for all business transactions.

     

J

jargon – Language that is used by a particular group, profession, or culture, especially when the words and phrases are not understood [meaningless] or used by other people such as “typesetters’ jargon”

    

K

kill fee – A fee paid to the writer of an article if the publisher changes his mind and decides not to use the piece. Not all publications have the budget for kill fees.

     

L

lead – The opening paragraph of an article. There are many different types of leads, but every lead should outline the story that follows and inspire the reader to read further.

lead time – See editorial lead time.

lead time – The amount of time between an article’s deadline and its publication date. This can vary from two to nine months, depending on the publication.

letter of agreement – The letter from the editor buying or accepting the submitted or proposed article. Sometimes, this letter is used in lieu of a contract. When that is the case, it is important to make sure that all the usual terms of the contract are spelled out in the letter.

libel – A written statement that damages a person’s reputation, character, or good name. The statement can appear in a letter, in an article, or even in a posting on an e-mail list or bulletin board. See also defamation; slander.

lifestyle section – The section of a newspaper or other publication that deals with gardening, books, home interiors, food, and other topics that are not hard news.

     

M

managing editor – The person at a publication who coordinates the different departments–such as the editorial department, art department, and typesetting department–to maintain a smooth production process and meet deadlines.

masthead – The list of staff members–including editors, designers, and more–usually printed in the beginning pages of a magazine or newspaper.

MLA style – One of two main styles used for formatting academic papers, the other being APA style. MLA style is the one preferred by the Modern Language Association. Information on this style can be found in the MLA Style Manual and Guide to Scholarly Publishing.

morgue – The industry term for a newspaper’s archives. A morgue usually has print or microfiche copies of articles that reporters can use for background research.

motion picture, television, and dramatic, rights – The right to sell an article or story for dramatic adaptation. Writers who have written human interest articles should try to retain these rights when signing a contract with a publication in case other media representatives are interested in the piece.

multiple submission – The practice of sending out one article to more than one publication at the same time. This is also called a simultaneous submission.

    

N

news story – A consumer-oriented article that provides serious coverage of a topical subject. Written in third person, these articles generally run 200 to 1,500 words in length, and rely on at least three sources to provide unbiased coverage.

newsletter – A short collection of articles–usually four to eight pages in length–designed to provide quick information about a subject, giving readers an easy way to stay current on trends or literature. There are four main types of newsletters: consumer, professional, marketing, and association.

newspaper – A publication that is issued on a daily or weekly basis, and contains current news, editorials, features, and usually advertising.

niche – A well-defined area of interest or audience that is addressed by a publication. Often, secondary magazines hit niches by focusing on a specific industry, region, hobby, or profession.

non-fiction (nonfiction) – A factual account of a person, place, thing or event. Must be completely true. Example: An article that you wrote about how to buy a skate board.

nut graph – The paragraph that sums up the general angle of an article, providing the essential points that the piece will cover. This is also referred to as the nut graph or theme graph.

     

O

off the record – Comments made by an interview subject that are not part of the formal interview.  Comments made off the record should not be printed by a writer without permission from the interview subject.

one-time rights – Rights granted in a contract that allow the publication to print an article only once. This is the best deal for the writer but is not very common.

op-ed piece – A first-person article that expresses the writer’s opinion on a particular topic. Formally called an opinion-editorial, these articles usually run 400 to 600 words in length. Some op-eds offer a supporting viewpoint on an issue that was covered in an earlier article; others are written to inform readers about issues facing society or the neighborhood.

open circulation – Readership that is not limited to subscription or membership In general, publications found on newsstands have an open circulation. See also circulation; closed circulation.

opinion-editorial – See op-ed piece.

outline – A written summary that details how a proposed article will be constructed. Sometimes submitted with a query letter, the outline gives the editor a thorough picture of the research that has thus far been gathered, the interview subjects that will be contacted, and the angle that the writer will take. Large-circulation publications often require outlines or detailed query letters.

    

P

payment on acceptance – A type of payment plan in which the writer is paid for his article when it is submitted to and approved by the editor.

payment on publication – A type of payment plan in which the writer isn’t paid for his article until it appears in print. Because an article may not appear in print until months after its acceptance, this arrangement is not as beneficial to the writer as payment on acceptance.

periodical – A magazine or journal published at regular intervals such as weekly, monthly, or quarterly.  Also called serial.

personal essay – A first-person consumer-oriented article on either a personal problem that the writer has faced and overcome, or a meaningful event. Sometimes referred to as a personal experience piece, these articles generally run 400 to 1,000 words in length

photo feature – An article that is light on writing and heavy on photos, with the text serving only to explain the graphics. In general, the photographer or a staff writer is assigned to write the text for a photo feature.

pitch – A letter or conversation in which a writer tries to persuade an editor to buy his article.

plagiarism – The act of copying another person’s work and passing it off as your own.

press kit – A folder–provided by a company, organization, or association–that provides information on the group itself. Such kits usually include industry statistics and lists of potential interview subjects, as well as explanations of industry terms and trends.

print rights – A publisher’s rights, granted by contract, to print an article on paper, but not to distribute it in an electronic manner or post it on a website or e-zine.

publisher – The person at a publication who oversees the entire operation.  At some publications,  the publisher may also serve as editor-in-chief.  Also, the business entity the edits, produces, markets, and otherwise makes available a printed and/or electronic publication.

    

Q

query letter – A letter of inquiry sent to a publication by a freelance writer as a means of proposing an article idea to the publication. The query letter is designed both to sell the idea of the article and to convince the editor that the writer has the knowledge and skills necessary to complete the article. See also cover letter.

query package – A package sent to a publication by a freelance writer for the purpose of selling an article idea. The package generally contains a query letter; published clips; and a self-addressed, stamped envelope; and may also include an outline of the article and an author biography. See also submission package.

    

R

refereed journal – An academic journal at which all submitted articles are rigorously examined by an editorial review board before being accepted. Because the standards of refereed journals are so high, most new academic writers have greater success submitting their work to non-refereed journals.

reprint – An article that previously appeared in one publication, and is later printed in another publication.

reprint rights – The rights, granted in a contract, that permit the publisher to sell an article to another publication after it has appeared in the first one. These rights are also referred to as reprint rights.

round-up – A short, consumer-oriented, third-person article that compiles responses from a variety of people on one subject, or in answer to a particular question. These articles generally run from 500 to 1,000 words in length. Sometimes, these articles are referred to as surveys and incorporate statistics, such as a percentage of respondents who gave one answer over another.

     

S

SASE (SAS) – Self Addressed Stamped Envelope —When asked to include an SASE with a submission, make sure you use the proper postage. There are different rates for outside the U.S., so check with your post office. Never send money for someone to read your work.

SASP – Self Addressed Stamped Postcard —When asked to include an SASP with a submission, make sure you use the proper postage. There are different rates for outside the U.S., so check with your post office. Never send money for someone to read your work.

second person – Writing that has the “you” viewpoint by addressing the reader. This is common in how-to articles–pieces that give advice or information.

second serial rights – The rights, granted in a contract, that permit the publisher to sell an article to another publication after it has appeared in the first one. These rights are also referred to as reprint rights.

secondary magazine – A medium-sized consumer magazine that focuses on a specific niche, or area of interest, and therefore covers a secondary market. Secondary magazines usually fill the gaps left by large magazines, which try to address the needs of many different kinds of readers.

section editor – An editor in charge of one section of a publication, such as health or books.

serial – A magazine or journal published at regular intervals such as weekly, monthly, or quarterly.  Also called periodical.

Self Addressed Stamped Envelope – When asked to include an SASE with a submission, make sure you use the proper postage. There are different rates for outside the U.S., so check with your post office. Never send money for someone to read your work.

Self Addressed Stamped Postcard – When asked to include an SASP with a submission, make sure you use the proper postage. There are different rates for outside the U.S., so check with your post office. Never send money for someone to read your work.

service piece – A consumer-oriented third-person article that falls into the how-to category, but goes further than just explaining how to do something by informing, educating, and advising the audience about an important issue or life skill like investing, working, or making a purchase. A service piece generally runs 500 words in length or more.

sidebar – A short piece that accompanies an article and provides helpful hints, resources, or a summary of the article’s main points. These boxes of information are set apart from the main article and are usually less than 200 words in length.

simultaneous submission – The practice of sending out one article to more than one publication at the same time. This is also called a multiple submission.

slander – A spoken statement that damages a person’s reputation, character, or good name. See also defamation; libel.

slant – The defined approach taken in an article by the writer. Also called an angle, this is one facet of the larger topic on which the writer has chosen to focus.

slush pile – The term used to describe the stack of unsolicited articles–articles that were not requested by an editor. Articles in the slush pile are usually read by an editorial assistant.

solicited (Requested) – A solicited article has been requested by an editor, usually in response to a query letter sent by a freelance writer.

source list – The list of sources used by a writer in researching an article. The list should include contact information for all interview subjects, as well as bibliographic data for each website, book, newspaper, or other publication from which the writer gleaned information for the article. This list is often submitted to the publication’s fact checker so that he can verify all information.

staff reporter – A writer hired by a newspaper to cover a particular beat. In the early days of newspapers, this person was sometimes called a “stringer.”

style sheet – A sheet that details the style and format preferred by a publication. Academic publications usually use either MLA style or APA style. Consumer and trade publications usually prefer either AP style or Chicago style.

submission guidelines – The set of rules for submitting articles to a particular publication. Sometimes referred to as submission guidelines, they provide specific information about formatting, grammar, and style, and also provide payment information and contract terms. It is important to always study a publication’s guidelines before submitting. By writing in the style prescribed by the publication, you can increase your chances of acceptance. Writer’s guidelines can be obtained by directly contacting the publication itself, and in some cases may also be found on the publication’s website or the website of Writer’s Market. See also  writers guidelines.

submission package – A package that is sent by a freelance writer to a publication for the purpose of selling an already-written article to the publication. Generally, this package includes a cover letter; a copy of the article; published clips, if any; and, in the case of an academic article, a curriculum vitae. See also query package.

syndicate – An agency that sells the same article simultaneously to different newspaper outlets. These articles are then printed in numerous publications throughout the country. Most syndicate writers are established experts who have built up years of experience in their chosen area of focus.

      

T

tear-sheet (tearsheet)- An original copy of a printed article “torn” from the publication’s pages. Most editors send writers complete copies of the publication, known as author copies, instead of tear-sheets.

technical article – A third-person article, written for a trade journal, that covers issues which the typical layman’s publication wouldn’t examine in its articles. Technical articles vary in length, depending on the material being covered, and always use industry-specific language.

television, dramatic, and motion picture rights – The right to sell an article or story for dramatic adaptation. Writers who have written human interest articles should try to retain these rights when signing a contract with a publication in case other media representatives are interested in the piece.

text only format – Also known as ASCII format, this format strips a file of all formatting–boldface, italics, etc.–and converts it to a single-spaced, plain document that can be read by most software programs.  You can save a document as text only in MS Word, or use Notepad to create the document.  See ASCII format

theme graph – The paragraph that sums up the general angle of an article, providing the essential points that the piece will cover. This is also referred to as the nut graph or billboard paragraph.

third person – The most distant of all writing forms. In this type of writing, “he,” “she,” and “they” are the pronouns used. Third-person writing is generally employed in objective articles such as news stories and feature articles, and is sometimes used in interview/profile pieces as well. It is appropriate when the writer is trying to present important information or show an unbiased front.

tips article – An article that provides readers with hints and advice in a quick, easy-to-read format. Specifically, these pieces tell the reader how to do something better or more economically. They are common in consumer magazines.

topic – The subject of an article. This should be narrowed and tightened until the writer develops a specific angle that will appeal to the readers of the target publication.

trade journal – A magazine or small newspaper published specifically for people in certain businesses or professions to increase career and business knowledge. Unlike an academic journal, a trade journal is designed to help readers better run their business or perform their job.

    

U

unsolicited – Not requested. An unsolicited article is sent by a freelance writer to a publication without being asked to do so. It then remains in a slush pile until someone–usually an editorial assistant–is able to review it and determine its suitability for the publication.

    

V

No terms at this time.

    

W

website (web-site, web site) – A server computer that makes documents available on the world wide web (www).  Most commonly thought of as a group of informational pages belonging to a person or organization with a domain name [their dot-com address] that are available on the world wide web.  See also our computer terms, jargon and acronyms page.

wire service – A service, such as Associated Press, that electronically distributes news and articles to newspapers and magazines around the country. For many publications, buying a story from a wire service costs a fraction of the price paid to a freelance writer, making wire service stories an economical choice.

word count – The number of words in the article, not including the headline or byline. Because space is such an important commodity in the article world, it is vital to provide the editor with an accurate word count that comes within a few words of the requested count.

work for hire – A contractual arrangement in which the employer or other person or company for whom the writing is prepared is considered the author, and owns all of the rights to the work. Many staff reporters and copywriters sign such contracts, preventing them from reprinting any of the work they produce while employed with that company.

writer’s guidelines – The set of rules for submitting articles to a particular publication. Sometimes referred to as submission guidelines, they provide specific information about formatting, grammar, and style, and also provide payment information and contract terms. It is important to always study a publication’s guidelines before submitting. By writing in the style prescribed by the publication, you can increase your chances of acceptance. Writer’s guidelines can be obtained by directly contacting the publication itself, and in some cases may also be found on the publication’s website or the website of Writer’s Market. See also submission guidelines.

       

X

No terms at this time.

    

Y

No terms at this time.

    

Z

No terms at this time.

    

AGENTS & EDITORS

CALLS FOR SUBMISSION

COMPUTER TIPS

CONTESTS

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FORMATTING & GRAMMAR

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PUBLISHING

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Preditors and Editors

RESOURCES-TIPS: For writers of all genre who want to write, and the readers who love them.

If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn't matter a damn how you write.
- Somerset Maugham

All the words I use in my stories can be found in the dictionary -- it's just a matter of arranging them into the right sentences.
- Somerset Maugham

Anecdotes don't make good stories. Generally I dig down underneath them so far that the story that finally comes out is not what people thought their anecdotes were about.
- Alice Munro

If you write one story, it may be bad; if you write a hundred, you have the odds in your favor.
- Edgar Rice Burroughs

Rejection slips, or form letters, however tactfully phrased, are lacerations of the soul, if not quite inventions of the devil -- but there is no way around them.
Isaac Asimov

To write fiction, one need a whole series of inspirations about people in an actual environment, and then a whole lot of work on the basis of those inspirations.
- Aldus Huxley

Get it down.  Take changes.  It may be bad, but it's the only way you can do anything really good.
- William Faulkner

Books aren't written, they're rewritten.  Including our own.  It is one of the hardest things to accept, especially after the seventh rewrite hasn't quite done it.
- Michael Crichton

Any man who keeps working is not a failure.  He may not be a great writer, but if he applies the old-fashioned virtues of hard, constant labor, he'll eventually make some kind of career for himself as a writer.
- Ray Bradbury

Preditors and Editors

Preditors and Editors is a handy site where you can check the latest information editors and agencies.  See who’s good and who’s bad.

You must subscribe to use the site.

http://pred-ed.com/

AGENTS & EDITORS

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All Writing Contests

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MOTIVATION

PUBLISHING

WRITER'S BLOCK & TOOLS

WRITER'S LIFE

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Literary Agents List

NON-FICTION:  For writers of all genre who want to write, and the readers who love them.

Ironically, in today's market place successful nonfiction has to be unbelievable, while successful fiction must be believable.
- Jerry B Jenkins

Words are a lens to focus one's mind.
Any Rand

There are two kinds of writer: those that make you think, and those that make you wonder.
- Brian Aldiss

I get up in the morning, torture a typewriter until it screams, then stop.
- Clarence Budkington Kelland

Words are the most powerful drug used by mankind.
- Rudyard Kipling

The art of writing is the art of applying the seat of the pants to the seat of the chair.
- Mary Heaton Vorse

Exercise the writing muscle every day, even if it is only a letter, notes, a title list, a character sketch, a journal entry.  Writers are like dancers, like athletes.  Without that exercise, the muscles seize up.
- Jane Yolen

Writing nonfiction is more like sculpture, a matter of shaping the research into the finished thing.  Novels are like paintings, specifically watercolors.  Every stroke you put down you have to go with.  Of course you can rewrite, but the original strokes are still there in the texture of the thing.
- Joan Didion

In fiction, when you paint yourself into a corner, you can write a pair of suction cups into the bottoms of your shoes and walk up the wall and out the skylight and see the sun breaking through the clouds.  In nonfiction, you don't have that luxury.
- Tim Robbins

Literary Agents List

New Agency Alerts and Agents Seeking Clients

A growing list of new literary agents actively seeking writers, books, and queries now. These agents are building their client lists.

 

  • Writers Digest – A growing list of new literary agents actively seeking writers, books, and queries now. These agents are building their client lists.
    https://www.writersdigest.com/publishing-insights/new-literary-agency-alerts
  • Publishing … and Other Forms of Insanity
    Here are five UK literary agents seeking clients. Rebecca Carter is looking for ground-breaking new literary fiction writers, as well as writers of upmarket crime and thrillers, and some children’s and YA authors. In non-fiction, she works mainly in the fields of history, politics, social and cultural commentary, design and technology, the environment and travel, often mixed together with memoir, and with a strong emphasis on quality of writing and storytelling.
    https://publishedtodeath.blogspot.com/

Agents A – Z

Please visit the website or email questions to the agency before submitting your work.  Information presented below may have changed.

A

3 Seas Literary Agency
Accepts: Romance, women’s fiction, historical, regencies, paranormal, romantic suspense, non-fiction, young adult and children’s. Send a query letter, synopsis, the first three chapters, a bio sheet and SASE to: Michelle Grajkowski, 3 Seas Literary Agency, P.O. Box 8571, Madison, WI 53708 or e-mail her at threeseaslit@aol.com web: https://www.threeseasagency.com/


Anne Marie O’Farrell 
Only represents practical and narrative non-fiction in the areas of business, self-help, health and fitness, spirituality, cooking, gift books, travel, sports and quirky books. We do not represent fiction, memoirs or screenplays. Your query should contain a succinct and exciting explanation of the book concept, information on why you are the right person to write this book, and your ability to market and publicize the book. Authors seeking representation must have extensive traditional and social media platforms, seminar and/or speaking event schedules. 
https://www.marcilofarrellagency.com/submission-guidelines/


Atchity Entertainment International
AEI thinks of itself first and foremost as a STORY MERCHANT – discovering, acquiring rights to, and managing the developing, publishing, producing, distributing, marketing, licensing, and virtually every facet of a literary property that can be exploited for commercial gain in all media throughout the world. We have long been a “full-service” literary company, offering “under one roof” the management of all services associated with the exploitation of stories for any storyteller (writer or otherwise) wishing to earn money from getting his or her story to the right audience in every possible medium.
https://www.aeionline.com/


Alison Picard, Literary Agent
Adult fiction and non-fiction, children’s and young adult (15%).
No short stories, poetry, plays, screenplays or sci-fi/fantasy.
No reading fee.
Founded 1985.
PO Box 2000, Cotuit , MA 02635, US
https://www.writersservices.com/reference/alison-picard-literary-agent


Andrea Brown Literary Agency
The Andrea Brown Agency ONLY accepts submissions digitally and ONLY accepts children’s literature submissions (picture books through young adult), with the exception of Laura Rennert and Jennifer March Soloway who are also accepting adult submissions. If you have consulted a guidebook that says otherwise, please note that our website always reflects our most current policies.
https://www.andreabrownlit.com/submissions


Andrea Hurst & Associates Literary Agency
Non-fiction: personal growth, self-help, memoirs spirituality, parenting, business, cookbooks, holistic health, narrative , true crime. Fiction: Commercial, women’s, mystery, thriller.
https://andreahurst.com/


Andrew Lownie Literary Agency
Specializes in history, biography, current affairs, reference, and celebrity books.  The Agency is always looking to take on new authors but only accepts submissions by email. It aims to reply within two weeks.
http://www.andrewlownie.co.uk


Angela Rinaldi Literary Agency
At the Angela Rinaldi Literary Agency, we have been opening publishing doors for writers of fiction and non-fiction since 1994. Each submission sent is read carefully with the intention of discovering the finest work to present to publishers. Our extensive experience as editors, and vast knowledge of the industry, is the foundation that makes us the best partner to encourage and guide writers through the publishing process, always keeping in mind creative strategies for the emerging opportunities available in the new media.  We represent an eclectic list of passionate storytellers and writers with big ideas who have made a difference in the world.
http://www.rinaldiliterary.com/how-to-submit.html


Ann Elmo Agency
Romance, History, Nature, Ecology,Parenting, Family, Pop culture, Entertainment
Science, Technology  Accepts queries by post but only for people referred.  Works with foreign agencies.
Andree L. Abecassis, 305 Seventh Avenue #1101, New York, NY 10001
https://www.writersservices.com/reference/ann-elmo-agency-inc

 

B

B.J. Robbins Literary Agency
We are always looking for fresh talent and we welcome the opportunity to consider your work.  Before submitting, please check to see if your book falls within the genres we are looking for.  We represent authors in a multitude of categories, including literary and general fiction, select genre fiction (mystery, suspense/thriller, historical), sophisticated young adult fiction, and nonfiction with commercial appeal, including biography, memoir, history, health, travel, sports, African American, science, pop culture.   
Right now, we are especially looking for strong literary/commercial crossovers with book club potential, smart speculative fiction, and multicultural stories (fiction or nonfiction) that open our eyes to a new place and/or time. No matter the genre, we are always looking for strong writing—a voice and talent that speaks for itself—and unique stories that demand to be told. We love to be surprised or moved or both, and to learn something new—a rare perspective, a little-known history, a new way to evoke character. 
We do not represent screenplays, plays, poetry, science fiction, westerns, romance, techno-thrillers, religious tracts, dating books, illustrated children’s books, middle grade, or anything with the word “unicorn” in the title.
https://www.bjrobbinsliterary.com/how-to-submit


Baldi Agency
Fiction and Nonfiction.  Malaga Baldi has worked as an independent literary agent since 1986. The Baldi Agency is an eclectic agency specializing in literary fiction, memoir and cultural history. She worked as a cashier at Gotham Book Mart, in the Ballantine Books Publicity Department, as an associate at Candida Donadio & Associates and the Elaine Markson Agency before going out on her own. Baldi believes the strength of the author’s voice and the heart of the story to be key when considering new work. Baldi graduated from Hampshire College and lives in NYC.
https://baldibooks.com/submission.php


The Balkin Agency Inc.
Accepts adult non-fiction, professional books and college textbooks. Query with outline and sample chapter.
PO Box 222, Amherst, Massachusetts MA 01004  tel:  413-548-9835    Richard Balkin rick62838@crocker.com


Barbara Markowitz Literary Agency
Children’s fiction, middle grade, young adult (11-15 year-olds), historical fiction (home 15%, overseas 15%).
Seeking contemporary and historical fiction 35,000-50,000 words for 8-11 and 11-15 year-olds. No fables, fantasy or fairytales; no illustrated books; no sci-fi.  Send a query with SASE and 2-3 sample chapters.
PO Box 41709, Los Angeles, California 90041


Bert P. Krages II
I counsel writers, photographers, and illustrators regarding issues such as reviewing publishing contracts (never sign the version the publisher gives you), agent agreements, enforcement of publishing agreements (nonpayment and reversion of rights), and opinions regarding copyright, defamation, and privacy.
http://www.krages.com/lvaserv.htm


Betsy Amster Literary Enterprises
is a full-service literary agency located in Los Angeles, California. We handle publishing rights and all ancillary rights (such as film, TV, audio, electronic, and foreign) for the authors we represent. We work with both first-time and established writers and are known for our expert attention to every aspect of the publishing process.Queries for adult titles should be addressed to b.amster.assistant@gmail.com. For fiction or narrative nonfiction, please embed the first three pages of your manuscript in the body of your e-mail. For other kinds of nonfiction, please embed the overview of your proposal.
Queries for children’s and YA titles should be addressed to b.amster.kidsbooks@gmail.com. For picture books, please embed the entire text in the body of your e-mail.  For novels or literary nonfiction, please embed the first three pages.
https://amsterlit.com/about/


Betsy Nolan Literary Agency
The Betsy Nolan Literary Agency represents a wide variety of nonfiction for a general audience. Some of our best-selling categories include: cookbooks, lifestyle, decorating, gardening, self-help, childcare and psychology. (Unfortunately we are unable to accept fiction, poetry and screenplays.)
http://www.nolanlehrgroup.com/betsy-nolan-literary-agency/submission-guidelines.html


Beverly Slopen Literary Agency
Accepts a wide variety of fiction and non-fiction (No fantasy, horror, or romance). Accepts e-queries.  We don’t take on many new authors. Our clients usually come to us by referral or we approach them.  To submit a work for consideration email us a short query letter and a few sample pages. Submit only one work at a time. If we want to see more, we will contact the writer by phone or email.
We don’t handle poetry, very few children’s titles, and almost no works in the categories of horror, romance or illustrated books.  We do not accept hard copy submissions.
131 Bloor St. W., Suite 711, Toronto, Canada  M5S 1S3, Tel: (416) 964-9598  E-mail: beverley@slopenagency.ca


Blanche C. Gregory
Interested in adult fiction and non-fiction. Accepts e-queries.
2 Tudor City Place, New York, NY 10017   212-697-0828
http://www.bcgliteraryagency.com/submission/submission.html


Bob Erdmann
Will show your book and represent you to international publishers if he’s interested in your material.
http://www.bob-erdmann.com/


Bob Mecoy
Creative Book Services, seeking commercial fiction/mystery
460 West 24th Street Suite 3E, New York, NY 10011
Phone 212-226-1936    Fax 212.226.1398  email: bob.mecoy@gmail.com


Bookends Literary Agency
BookEnds represents fiction and nonfiction for an adult audience. In fiction our agents specialize in romance, mystery, suspense, thrillers, science fiction and fantasy, women’s fiction, historical fiction, literary fiction and upmarket fiction. We are also seeking nonfiction in the areas of memoirs, history, food, current affairs, business and career, parenting, pop culture, and general nonfiction.
BookEnds Jr, represents fiction and nonfiction for the young adult, middle grade and picture book markets. In fiction we are looking for contemporaries, romance, science fiction and fantasy, historical fiction, graphic novels, horror, thrillers, and mystery. In nonfiction we are seeking narrative nonfiction and memoirs.

BookEnds does not represent short fiction, poetry, screenplays, or techno-thrillers.
http://bookendsliterary.com/submissions/


Books & Such Literary Management
Books & Such will accept e-mail queries for the following genres:Adult fiction and nonfiction.-Teen and young adult fiction and nonfiction.-Middle grade fiction and nonfiction.  We do not accept e-mail queries with attachments, or unsolicited phone or postal mail queries.
https://www.booksandsuch.com/submissions/


Bookstop Literary Agency
BookStop Literary Agency is dedicated to promoting authors and illustrators of children’s and young adult books. We work closely with our clients (and their books) to guide them in their careers and their work with publishers. BookStop sells quality picture books, fiction, non-fiction and illustrations to major children’s book publishers in the US and abroad. 
http://www.bookstopliterary.com/


Brandt & Hochman
Brandt & Hochman Literary Agents, Inc. represents fiction and non-fiction for the general trade market. We work with literary and commercial fiction, mystery/thriller, memoir, narrative non-fiction, journalism, history, current affairs, books on health, science, popular culture, lifestyle, and art history, and children’s books.  We do not handle screenplays or textbooks.
1501 Broadway, Suite 2310/New York, NY 10036,  Phone:212-840-5760/Fax: 212-840-5776
https://brandthochman.com/contact

 

C

Carol Mann Agency
Accepts literary fiction and narrative non-fiction, including psychology, biography, memoirs, history, pop culture, spirituality.  For fiction, please send a query letter including a brief bio, and the first 25 pages of your manuscript. For nonfiction, please send a query letter including a brief bio, a synopsis/proposal and the first 25 pages of your manuscript. All material should be pasted into the body of your message; attachments will not be opened.
Queries may be emailed to submissions@carolmannagency.com.
https://www.carolmannagency.com/submissions


Castiglia Literary Agency
Literary Mainstream, ethnic fiction, health, science, biography, women’s issues, pop culture, true crime. Query (via mail) the following depending on area of interest: Julie Castiglia — Young women’s fiction Winifred golden–Thrillers and edgy fiction Both women look for literary, ethnic and commercial fiction as well as narrative non-fiction by experts. Mail query with a one paragraph synopsis and bio.
1155 Camino Del Mar, Suite 510, Del Mar, CA 92014,    


The Choate Agency
The Choate Agency’s interest is in strong commercial fiction and narrative non-fiction.  The agency does not handle genre fiction, romance, self-help, confessional memoirs, spirituality, pop psychology, religion, how-to, New Age titles, poetry, or screenplays.  Queries should consist of a brief synopsis or outline and a short biography. Do not enclose/attach a manuscript or sample pages unless requested. The same goes for copies of self-published books. We strongly prefer e-mail queries and do our best to respond to each one. If querying by mail please enclose an SASE. We do our best to respond to each query but unfortunately are not always able to do so.
http://thechoateagency.com/submissions/


Christina Pechstein Agency
The August Agency is always on the hunt for exceptional writers to represent.  We have many ways of finding our clients, however we only accept unsolicited queries occasionally through our Submission Form found below.  
https://www.augustagency.com/Submissions.html


Cooke McDermid
CookeMcDermid welcomes people of all backgrounds, identities, and perspectives to submit their work using our submissions form.  Right now, we are especially eager to read thrillers, horror, commercial suspense, speculative fiction, upmarket women’s fiction, middle grade, YA, literary fiction, research-driven non-fiction, and narrative non-fiction. Please note that we do not accept screenplay, stage play, poetry, or picture book queries.
https://cookemcdermid.com/submissionsform


Craig Literary – Agile International Representation
Mostly I read fiction, and any non-fiction I represent must be on a subject that I believe will have international appeal. The authors I represent and others who are listed under my bio give you an idea of the range of my taste. I love books of fiction or non-fiction that explore globally relevant themes, that transport the reader on a surprising journey across boundaries of culture, and sometimes even of genre; storytelling that dismantles walls and builds bridges, challenging and deepening the reader’s understanding of self and other, of society, language, art, or humanity.
http://www.craigliterary.com/submit.html


Cyd Levin & Associates
In January of 2015, CLA reopened its Literary division with a singular goal: to develop the bold and exciting writers of today in Television and Film. Our dedication to this goal can be seen in the way CLA helps its writers on a page-by-page basis and offers an unsurpassed level of support and guidance through every step of the production process.
To that end, CLA is focused on pursuing modern, character-driven projects that reflect the diversity of our world. CLA Entertainment, the production entity of our Literary division, is focused on both producing the work of CLA writers and optioning books and screenplays using CLA acting clients. On all fronts, CLA brings a first-class entertainment production pedigree that ensures any projects we select benefit from our decades of experience and contacts with major studios, production companies and financiers.
https://www.clamgmt.com/divisions
 

D

Darhansoff & Verrill Literary Agents
We are most interested in literary fiction, narrative nonfiction, memoir, sophisticated suspense, and both fiction and nonfiction for younger readers. Please note we do not represent theatrical plays or film  We consider unsolicited queries by email. Please send queries to submissions@dvagency.com. We will be in touch to request material but otherwise will not issue response to individual email queries.scripts.
133 West 72nd Street, Room 304, New York, NY 10023  917-305-1300


David Black Agency
Specializing in sports and politics. To query an individual agent, please follow the specific query guidelines outlined in the agent’s profile. Not all agents are currently accepting unsolicited queries.
To query the agency, please send a 1-2 page query letter describing your book, and include information about any previously published works, your audience, and your platform. Remember that this letter is our introduction to your work and who you are as an author and, if applicable, an expert in your field. If someone kindly referred you to us, do please let us know. You must include a self-addressed stamped envelope in order to receive a response.
http://www.davidblackagency.com/submissions/


Dee Mura Literary
Categories for Fiction and Non-Fiction:   Action/adventure, animals, anthropology, archeology, arts & photography, biography, business, chick lit, comedy/humor, contemporary fiction, cooking, conservation & environmental issues, current affairs, entertainment, erotica, ethnic & Jewish, finance, fantasy, gay & lesbian, literary, government, health, historical, home & garden, inspirational, medical, memoirs, middle grade, military, mind & body, mystery, narrative nonfiction, new adult, New Age, outdoors & nature, paranormal, parenting & families, popular culture, psychology, religion/spirituality, romance, satire, science, science fiction, self-help & motivational, sports, thrillers & espionage, travel, women’s lit, young adult. TV Movies, and novels in the following genres: Drama, comedy, horror, sci-fi, action/adventure, romantic comedy, true life drama, crime, espionage, thriller, medical thriller, non-fiction, women’s issues.
P.O. Box 131, Massapequa Park, NY 11762  516-795-1616
http://deemuraliterary.com/


DeFiore and Company 
A mid-sized dynamic literary agency based in Manhattan’s Union Square. Our staff brings decades of experience as agents, and as former editors, publishers, and rights directors at major publishing companies, to the task of building the careers of our clients. We are currently accepting queries for both fiction and non-fiction titles. Please be advised that we do not represent original screenplays, teleplays, or theater plays. If you would like us to consider your work for representation, please send us a query letter.
http://www.defliterary.com/submissions/how-to-submit/


Doe Coover Agency

Accepts literary fiction and non-fiction (bio/memoir, business, social science, cooking, and gardening).
P.O. Box 668, Winchester, MA 01890   781.721.6000   info@doecooveragency.com
www.doecooveragency.com


Don Congdon Associates, Inc.
We are currently accepting queries from new and established authors via email only.  A query letter consists of a one-page description or synopsis of your work and your relevant background information.  We ask that you paste the first chapter into the body of your email following your query letter. We do not accept unsolicited manuscripts.
http://www.doncongdon.com/submissions.shtml


Donald Maass Literaruy Agency
Seeks mystery, suspense/, romance/, and women’s fiction.  We do not represent poetry, picture books, or screenplays. For nonfiction, please see individual agent profiles
http://maassagency.com/submissions/


Donna Levin Manus & Associates
Fiction: Commercial and literary, mysteries. Non-fiction: Memoirs. Author of Get that Novel Started.
http://www.manuslit.com/flash/index.html (note site is old-school flash)


Doris S. Michaels Literary Agency
Fiction: commercial, literary, women’s, novels with strong screen potential.  For a nonfiction project, the most important goal of an author should be to have a unique idea with broad market appeal.  The next step is to prepare a professional looking proposal to secure representation by an agent and to sell the work to a publisher.  Before submitting queries to agents, a fiction author should have a completely edited and formatted manuscript ready to send. 
http://dsmagency.com/?page_id=28


Dunham Literary, Inc.
30% of clients are new writers. Interested in literary fiction , alternative spirituality, and children’s books (fastest growing area of agency).  Dunham Literary represents fiction, narrative nonfiction, and children’s books, including both authors and illustrators.
We do not represent individual short stories, chapbooks, or novellas.
We do not represent screenplays.  Dunham Literary accepts query letters by regular mail and email (but not by phone or fax). After receiving a query letter, we request any and all projects that might be right for us.
https://www.dunhamlit.com/how-to-submit.html


Dystel & Goderich Literary Management
Accepts adult fiction and non-fiction. 
https://www.dystel.com/submission-guidelines
   

E

The Ethan Ellenberg Literary Agency
We are actively looking for established and new writers in a wide range of genres. We are looking for storytellers of all kinds and remain confident that books, in whatever format they are published, will continue to play a key role in our society to entertain and to instruct.  We’re interested in all kinds of commercial fiction, including thrillers, mysteries, children’s, romance, women’s fiction, ethnic, science fiction, fantasy and general fiction.  We are also interested in literary fiction as long as it has a strong narrative.  In nonfiction, we are interested in current affairs, history, health, science, psychology, cookbooks, new age, spirituality, pop-culture, adventure, true crime, biography and memoir. We are also open to reviewing other genres and topics, as long as the material is for a trade or general audience and not scholarly.  We accept unsolicited manuscripts and seriously consider all submissions, including those from first time writers. We also consider submissions for works that are self-published or previously published through other small or non-traditional outlets, though we ask that you follow our normal submission guidelines when sending submissions for these works.  We DO NOT represent poetry, short stories or screenplays.
https://ethanellenberg.com/submission-guidelines/#What
  

F

Felicia Eth Literary Representation
Accepts 85% non-fiction (provocative non-fiction on a wide array of commercial subjects) and 15% fiction (mainstream and contemporary — represented Jane Austen in Boca.)  Handling book properties comprised of strong voices, intellectually stimulating story lines or  discussions, flavorful narratives, books which make a unique contribution and the occasional quirky book that is just too difficult to resist.
https://www.ethliterary.com/how-to-submit/


First Books
Mainstream fiction and non-fiction. (No romance, westerns, short stories, or extremely violent novels)
http://www.firstbooks.com


We work with upscale commercial nonfiction only.    We do not represent fiction, poetry, young adult, children’s books or screenplays.   We prefer queries by email: flamingstarlit@aol.com  Please include your cover letter in the text of your email; for security reasons, attachments will not be opened.  More attention will be given to queries sent to FLAMING STAR LITERARY ENTERPRISES exclusively.
http://www.flamingstarlit.net/Page-8.html


Flannery Literary
We only represent books written for children and young adults.  Flannery Literary is looking for strong writing, a unique viewpoint, a memorable story, an intriguing character, and a thought-provoking dilemma a young reader is eager to see resolved.  Please send an email query that succinctly describes your book to JENNIFER@FLANNERYLITERARY.COM with the word QUERY in the subject field. Flannery Literary does not return phone call queries nor do we accept Facebook queries (although we do invite you to visit the Flannery Literary Facebook page). We only represent books written for children and young adults.
http://flanneryliterary.com/Contact.html


FRA Literary Agents
FRA (formerly Futerman Rose & Associates) is a leading literary agency based in London, UK, established in 1984. We are affiliated to the Authors’ Agents Association, the Personal Managers Association and the Writers’ Guild of Great Britain.  We represent authors of: commercial and literary fiction,non-fiction on practically any subject, with particular interest in politics, sport, show business and the music industry,scripts for film and television.  We don’t handle poetry or children’s books (unless by existing clients).
http://www.futermanrose.co.uk/submissions.html
  

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The Garamond Agency
If you are an author looking for representation to trade publishers, we would be interested in hearing from you. Please note that we represent adult, non-fiction projects only. Our interests include—but are not limited to—history, politics, business, science, psychology, social science, and narrative non-fiction. Please do not send us proposals for children’s or young adult books, or for adult fiction, poetry, or memoir.
https://garamondagency.com/contact/


Gelfman Schneider / ICM Partmners
Contemporary women’s commercial fiction, literary and commercial fiction, mystery and suspense. Mail query.
http://www.gelfmanschneider.com/submission-guidelines.html


Glass Literary Management
We do not represent picture books for children.  We accept queries by email only.  Please send your query for Alex Glass or Rick Pascocello to alex@glassliterary.com or rick@glassliterary.com
http://www.glassliterary.com/submissions


Golvan Arts Management
Represents writers of adult and children’s fiction and non-fiction, poetry, screenwriters, and playwrights.
https://www.golvanarts.com.au/ check the International Rights menu for the type of inquiry you need.


Irene Goodman Literary Agency
We are always looking for the finest in commercial and literary fiction and nonfiction.  For fiction, please include a query letter and the first ten sample pages of your manuscript in the body of your email. For nonfiction, simply send a polished query letter, and we will request a proposal if we are interested. We do not open attachments, unless we have requested further material.
https://www.irenegoodman.com/submissions


Grosvenor Literary Agency
We accept queries, no attachments please, by email only. Please submit to: submissions@grosvenorlit.com   For fiction, email us a query with the first three pages of the manuscript pasted into the email. For nonfiction, email us a query with evidence that you have
a full-length book idea, that you have the credentials to write it, and that there is a market for it.
http://www.grosvenorlit.com/submissions-guidelines/

 

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Hartline Literary Agency
Accepts mainstream and inspirational fiction and non-fiction. PLEASE conform to ALL of the requirements in our submission guidelines. They are listed under our tool bar by genre.
http://hartlineagency.com/submissions/


Harvey Klinger, Inc.
Accepts mainstream adult fiction and non-fiction, literary and commercial.  We are always interested in considering new clients, both published and unpublished. Bear in mind, however, that we take on only a very small number of new authors in any given year.  Do not query more than one agent at Harvey Klinger, Inc. at a time. Do not attempt to query via phone or fax. Do not send us your screenplays. While we do handle film rights for our clients, we do not accept screenplay submissions. 
https://www.harveyklinger.com/submission-guidelines


Hill Nadell Literary Agency
Hill Nadell represents a wide variety of genres. To learn more about each agents’ interests, please visit our About Us page. We do not represent scripts or screenplays. We do not take pitches over the phone. To submit, please send us a query with a synopsis of your work, including genre and word count, a brief explanation of your qualifications and experience, and the first five to ten pages of your manuscript. You can either mail a hard copy of your query to our office or submit by email, but please do not submit the same query to both. We usually respond within six to eight weeks.
https://www.hillnadell.com/contact/submissions/


Hornfischer Literary Managemt
Accepts a broad range of serious and commercial non-fiction and select fiction.  We are residents of the digital age to the extent that our rather traditional book-world sensibility allows. We are happy to receive electronic inquiries.
https://www.hornfischerlit.com/submission-guidelines/

 

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Inkwell Literary Management
http://inkwellmanagement.com/contact/

  

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Jane Rotrosen Agency
Specializes in commercial fiction (all varieties, including suspense, romance, and mystery) and non-fiction (narrative). Represents well known writer Iris Johansen.  JRA represents authors of both fiction and nonfiction. Please read about our team and submit your query to one agent at our agency; if we feel your work would be in better hands with a different JRA agent, we will pass it along.
https://www.janerotrosen.com/submissions


Jeanne Fredericks Literary Agency
Health/medicine/integrative health/science, Nature/environment/animals/pets, Gardening, Business/real estate, Popular reference/careers, History/biography, Home/decorative arts/antiques, Travel, Cookbooks, Fine arts/crafts, Sports/recreation/fitness, Psychology/self-help/parenting/inspirational.  The Agency does not represent fiction, true crime, juvenile, textbooks, poetry, essays, screenplays, short stories, science fiction, pop culture, guides to computers and software, politics, horror, pornography, books on overly depressing or violent topics, romance, teacher’s manuals, or memoirs.
http://jeannefredericks.com/submission-guidelines


Jean V. Naggar Literary Agency
Adult mainstream fiction, literary and commercial fiction; narrative non-fiction. The first step to getting published is finding a literary agent. The first step to finding a literary agent is submitting a query to one. In its most basic form, a query is a one-page description of your work and a brief biography of yourself.
http://jvnla.com/submissions.php


Jeff Herman Literary Agency
With few exceptions, we are a non-fiction agency. Specific areas of interest include:  How to/self help, True crime, Parenting, Business, Health, History, Narrative non-fiction, Memoir, Psychology, Practical Spirituality, Multi-cultural subjects, Reference
https://www.jeffherman.com/submission-guidelines/


The JenniferDe Chiara Literary Agency
Specializes in children’s literature for all ages–picture books, middle grade, and young adult; but also represents adult fiction (literary and commercial, mysteries, thrillers) and non-fiction (humor, celebrity biographies, psychology, self-help, women’s and men’s issues, social issues). 
https://www.jdlit.com/jennifer-de-chiara


Jim Donovan Literary
We represent both fiction (chiefly mystery/thriller, literary, mainstream) and nonfiction (American history and biography, military, popular culture, sports, health, and general narrative nonfiction).  We don’t represent screenplays, plays, poetry, religious books, children’s or middle grade books.
https://www.jimdonovanliterary.com/submissions


Joelle Delbou8rgo Associates Literary Agency
Fiction: fantasy (Jacquie only), middle-grade, mystery, new adult, science fiction (Jacquie only), thriller, young adult, upscale and/or quality commercial women’s fiction.  Non-fiction; biography, business and career, current events, health, history, memoir, narrative nonfiction, parenting, popular reference, psychology, popular culture, science.  Do not send us: category romance, Westerns, early reader and picture books, and/or screenplays.
https://www.delbourgo.com/submissions/


The Joy Harris Literary Agency
The Joy Harris Literary Agency seeks to represent works of literary fiction and non-fiction. Please email all submissions, comprised of a query letter and outline or sample chapter as an attachment, to submissions@joyharrisliterary.com, with “Query – [title of your work]” in the subject line. We do not accept poetry, screenplays, genre fiction, or self-help submissions at this time.
http://www.joyharrisliterary.com/contact

  

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Kimberley Cameron, AAR, Resse-Halsey
Non-fiction: culture, history, biography, self-help, spirituality. Mainstream & literary fiction, sci-fi.  All are welcome to submit. We prefer queries through our submission forms found on each agent’s profile, and we ask that you follow the guidelines below. Please query only one agent, if the agent feels another agent at our agency is a better fit, the submission will be shared internally.
http://kimberleycameron.com/submission-guidelines.php


Knight Agency
Seeks Romance: Contemporary, historical, time travel, paranormal sci-fi, romantic suspense, woman’s fiction, commercial fiction, literary fiction. For non-fiction, they seek–business, self help, finance, music, entertainment, media-related, pop culture, how to, psychology, travel, health, inspirational/religious/reference, and holiday books.   Scroll down to the “Agent Wish Lists” section on this page to see what our agents are currently looking for. Click the “Query Now” button for the agent you would like to query. Please only query if your manuscript is complete and edited.  The agents of The Knight Agency are currently looking for material in a wide spectrum of genres. However, we are NOT currently accepting screenplays.
https://knightagency.net/submissions/

 

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LA Literary Agency
Adult fiction and non-fiction.  We are always looking for talented writers and good books. As a boutique agency, we work closely with our clients from proposal through the publishing process. The Agency represents narrative nonfiction, history, memoirs, sports, biographies, cookbooks, lifestyle, health, psychology, science, parenting, business, literary and commercial fiction.  Like all agencies, we receive a great number of submissions.  Because of the volume, we cannot respond to all inquiries. However, we look at everything we receive and will call or email if we would like to see more material. 
https://www.laliteraryagency.com/submissions-1.html


Ladderbird
Accepting literary fiction, mainstream/commercial fiction, women’s fiction, fantasy, science fiction, crime novels, young adult sci-fi and fantasy, crime novels, young adult sci-fi and fantasy, young adult thrillers, young adult contemporary, non-fiction,   NOT seeking: historical fiction, middle grade, picture books, ​romance.
https://www.ladderbird.com/submissions.html


Laura Rennert, Literary Agency
Right now, on the children’s/YA side, I’m particularly seeking middle-grade fiction, YA fiction, and picture books by author-illustrators.  On the adult side, I’m seeking literary-commercial thrillers, police procedurals, and psychological suspense/horror.  I love the following: Contemporary fiction, Multicultural and diverse books, Genre fiction with real emotional power, Speculative fiction and alternate , histories/realities, Fantasy and paranormal, Thrillers, science fiction, and horror, Subversive fairy tales, Works that re-imagine classics or myths, Quirky picture books with humor, warmth, and heart, Works for younger and older readers that tell a great story using words and images in unexpected ways, Upmarket women’s fiction and literary-commercial historical fiction, Thrillers and psychological suspense/horror with unreliable narrators, Police procedurals and thrillers with street cred and authenticity, Works that explore hidden worlds and secret knowledge, Narrative risk-takers
https://www.laurajoyrennert.com/


Levine Greenberg Literary Agency Inc
Accepts fiction and non-fiction.  For fiction, we ask that you attach the first fifty pages of your novel along with your query, using the submission form on this website.
https://lgrliterary.com/submissions/


Linda Konner Literary Agency
Adult commercial non-fiction. health, diet and fitness, addictions, hot=to, relationships, parenting, women’s issues, personal finance, dating, love, marriage, divorce, self-help, popular psychology, career and business how-to, popular science, and more.
http://www.lindakonnerliteraryagency.com/submissions.html


Linda Roghaar Literary Agency
90% nonfiction 10% fiction. Handles everything but romance, horror, or sci-fi. We prefer e-queries. Please mention ‘query‘ in the subject line, and do not include attachments.
http://lindaroghaar.com/index.php/submission-guidelines/


Literary Group
Accepts 50% fiction and 50% non-fiction (specializes in true crime, military, history, biography, sports, how to). The Literary Group International welcomes the opportunity to consider serious new voices. The best way for you to represent your manuscript once it is on our desks is to present us with a polished, professional submission by following these guidelines exactly.
http://www.theliterarygroup.com/index.php?option=com_content&view=article&id=175&Itemid=225


Loretta Barret Books, Inc.
Fiction and non-fiction.  Loretta Barrett Books, Inc. represents a wide variety of fiction and nonfiction for general audiences. Our fiction ranges from commercial thrillers, mysteries, romantic suspense mainstream women’s and men’s fiction and more literary works, and our nonfiction encompasses genres such as history, biography, popular science and psychology, spirituality and religion, health and nutrition, women’s issues, narrative nonfiction, memoir, humor, sports, politics and current affairs, true crime, etc. While there are far more areas that hold an interest for us than there are not, we do feel it is best to leave certain, more specialized genres to agencies with such focuses. These include cookbooks, gardening books, children’s books, science fiction and fantasy novels, and historical romance.
http://www.lorettabarrettbooks.com/Content/Submission_Guidelines.asp


Lori Perkins Associates
10% of clients are new/unpublished. Accepts non-fiction (popular culture) and fiction (fantasy horror, dark literary and sci-fi).   We do NOT represent screenplays, short story collections or poetry.
http://lperkinsagency.com/#submissions  (keep scrolling all the way to the bottom of the page)


Lowenstein Associates
20% are new/unpublished. Lowenstein Associates is accepting submissions for outstanding literary and commercial fiction, young adult and middle grade novels, cozy mysteries, memoir and narrative nonfiction, as well as nonfiction authors who have a strong platform and are leading experts in their field, including business, women’s issues, psychology, health, science and social issues. We particularly welcome submissions from women, LGBTQ writers and writers of color.
https://lowensteinassociates.com/submissions/

 

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Manus & Associates Literary Agency
50% of clients are new/unpublished. Seeks women’s fiction, literary fiction, thrillers, narrative non-fiction, health, and sophisticated self help.
http://www.manuslit.com/flash/index.html (this site is all flash)


Margret McBride Literary Agency
Accepts fiction (legal, historical) and non-fiction (business, leadership, management,  Our Agency welcomes the opportunity to review your book ideas, and encourages you to submit a query letter or book proposal to us via email (staff@mcbridelit.com). In the subject line, please include your name and the title of your work.
http://www.mcbrideliterary.com/submission-guidelines


Maria Carvainis Agency
Maria Carvainis Agency, Inc. represents a wide range of fiction and non-fiction with special interest in literary and mainstream fiction, mystery and suspense, thrillers, historicals, contemporary women’s fiction, young adult and middle grade, memoir, biography, history, business, psychology, pop culture and popular science. If you would like to query the agency, please send a query letter, a synopsis of the work, first 5-10 pages, and note of any writing credentials.
https://www.mariacarvainisagency.com/submissions/


Marjacq
Accepts general and literary fiction with a particular interest in crime, thrillers, sci-fi and contemporary women’s fiction. Also accepts non-fiction and screenplays.  We accept submissions by email only.  We handle full-length fiction and non-fiction for adults and children. We will also look at factual TV and original screenplays. No children’s picture books, poetry, plays or musical theatre – sorry..  Please email your submission to the agent who you think is the best fit to consider your submission. You can see what our agents represent and what they’re looking for on the People page, and each agent’s email address is at the bottom of their page. 
http://www.marjacq.com/submissions.html


Meredith Bernstein Literary Agency
Fiction and nonfiction.  No screenplays.  For submissions of this nature please send single-sided, double-spaced hardcopy submissions that include a self-addressed, stamped envelope (SASE) .
http://meredithbernsteinliteraryagency.com/submission-guidelines/


Mic Cheetam Agency
Interested in edgy literary fiction, crime fiction, thrillers, historical fiction, and sci-fi / fantasy. New writers are advised to acquaint themselves with the work of the writers currently represented by the agency before submitting their own work.
http://miccheetham.com/submissions/


Michael Larsen Author Coaching
Non-fiction: how-to, self-help, business, humor, spirituality, technology. Author How to Write a Book Proposal, Literary Agents, Guerrilla Marketing for Writers.
http://larsenauthorcoaching.com/


Michael Meller Literary Agency (Germany)
Representation by a professional and reputable literature agency has many advantages for an author: It takes away numerous activities for which he often lacks time and / or experience for successful completion and is a constant and competent contact for the author in the ever-changing publishing landscape .  If you want to offer us a manuscript, please note the following: We mainly work together with the major publishers and are therefore looking for texts for the segments that appear there:fiction,Books for children and young readers, general non-fiction book,counselor.
https://www.melleragency.com/neue-autoren/

 

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Natash Kern Literary Agency
Fiction: commercial and literary, mainstream women’s, romance, historical, thrillers, suspense, and mysteries, mainstream sci-fi. Non-fiction: investigative journalism, health, science, women’s issues, parenting, spirituality, and more.
http://natashakernliterary.com/contact/


Nelson Literary Agency
Mr. Nelson is a former executive editor with Random House, Villard, Hyperion, and Harper Collins. Accepts fiction and non-fiction.  We are now accepting queries solely through QueryManager. To submit, please see below to review what each agent is looking to acquire. You may submit to only one agent of your choice—a pass from one is a pass from all of us here at NLA. When you’re ready to query, click the purple query button for the agent you have chosen. This will take you to that agent’s query form, where you will be asked to submit information.
https://nelsonagency.com/submission-guidelines/

 

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No listings at this time.

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Paul and Peter Fritz
Specializes in the representation of English Language writing for publication in German. Also represents writers writing in German. 
http://fritzagency.com/index.php/en/


Paul S. Levine Literary Agency
Represents 30% non-fiction, 30% novels, 10% movie scripts, 30% TV scripts. No sci-fi, fantasy or horror. Adult non-fiction, commercial fiction.
https://paulslevinelit.com/submissions/


Perkins Agency
Fiction and Nonfiction.  We do NOT represent screenplays, poetry or short stories.
http://lperkinsagency.com/submission_guidelines


Peter Fraser and Dunlop
We read every submission we receive and aim to get back to you within eight weeks. However, because we receive a high number of submissions, we’re not always able to acknowledge receipt or offer detailed feedback.  Please carefully read our guidelines below before sending your submission. Information about the type of submissions our agents are looking for can be found on the dedicated agents page. Please note that we only accept submissions via email.
https://petersfraserdunlop.com/submissions/books/


Peter Lampack Agency
The Peter Lampack Agency no longer accepts material through conventional mail. When submitting, you should include a cover letter, author biography and a one or two page synopsis. Please do not send more than one sample chapter of your manuscript at a time. Due to the extremely high volume of submissions,we ask that you allow 4-6 weeks for a response. We do not charge a reading fee or any fee for office services.
https://www.peterlampackagency.com/submit


Philip G. Spitzer Literary Agency
General Fiction, Mystery, Suspense/Thriller, Fantasy/Science Fiction, Juvenile Fiction, Biography, History, Travel, Children’s Books, Sports, African American, Politics, Current Events,  While our client list is full at this time, queries may be sent via email to kim.lombardini@spitzeragency.com.  Please include your proposal and first chapter in the body of the email. 


Pinder Lane & Garon-brooke Associates
​We prefer email to snail mail submissions, with samples in Microsoft Word.,  We will not consider multiple submissions, mss submitted to other agencies simultaneously.  A brief cover note with your experience, publishing credits and any interesting or pertinent facts, plus your contact information.  A synopsis and brief writing sample (no more than a chapter.) We prefer the chapter to be the first chapter of the manuscript.
https://www.pinderlaneandgaronbrooke.com/submissions 

   

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No listings at this time.

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Rees Literary Agency
Accepts literary fiction and non-fiction (business, bio, and health). Founded in 1983, the Rees Literary Agency is renowned for its work with leading authors. We represent the following genres: literary and commercial fiction, memoirs, history, biography, business, young adult and middle grade, self-help, psychology and science. 
http://www.reesagency.com/


Richard Henshaw Group, LLC
We are currently looking for projects in these categories:   FICTION,  Mystery, Thriller, Romance, Science Fiction, Fantasy, Historical Fiction, Young Adult, Literature (Not part of our core business, but an occasional labor of love.), Horror (We are extremely selective owing to the limited market.)  NON-FICTION, Popular Culture, Popular Reference, Popular Science, Psychology, Sports, Business, Celebrity Biography, Current Events, Health, Popular History, How-to, Movies.  We do not represent children’s books, screenplays, short fiction, poetry, textbooks, scholarly works or coffee-table books.  We only consider works between 65,000-150,000 words.
https://richardhenshawgroup.com/about-2/


Roger Williams Agency
Looking for non-fiction projects in the following categories:  History and Military History, with and emphasis on American History, Biography, or Autobiography/Memoir
http://rogerwilliamsagency.com/what-i-look-for-when-i-receive-a-proposalagenting-demystified/


Ricia Mainhardt Agency
Represents literary and commercial fiction and trade non-fiction. Especially interested in: narrative non-fiction, biography and autobiography, history, popular culture, medicine and health, psychology, parenting, nature and environment, outdoors/adventure, women’s issues, cultural and ethnic issues. No children’s books, poetry, plays or screenplays.
http://www.ricia.com/submit.html


Rita Rosenkranz Literary Agency
Please send query letter via regular mail with SASE, or via e-mail.   If requested, send proposal as a single Word doc attachment labeled the name of your book project. (Please do not send multiple, generically labeled attachments.) The agency does not accept submissions for screenplays, poetry, fiction, children’s or YA books. You should receive a response within two weeks
https://www.ritarosenkranzliteraryagency.com/submissions.html


Robert Lecker Agency
Specializes in books about entertainment, pop culture, popular science, food, and travel. 
http://www.leckeragency.com/submissions

 

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Sagalyn Literary Agency
Focuses on up-market non-fiction, business books and commercial fiction.  Please note that we specialize in quality non-fiction and mainstream fiction. We do not represent authors in a number of categories, e.g. romance, westerns and science fiction, and we do not represent poetry, children’s books, or screenplays. 
http://www.sagalyn.com/queries-submissions/


Sandra Dijkstra Literary Agency
Fiction: commercial and literary (no westerns, romance, fantasy, sci-fi) Non-fiction: history, psychology, health, business, spiritual, self-help. And children’s fiction/non-fiction 
https://dijkstraagency.com/submission-guidelines.php


Simenauer & Green Literary Agency
First and foremost, your submission should bring us a rip-roaring good, well-written story.  We are accepting very few fiction submissions right now. When we do, our favorite subjects include mysteries, crime, thrillers, suspense, action adventure, historical novels based on facts, and women’s interests.
http://sgliteraryagency.com/?p=47


Sanford J. Greenburger Associates
General non-fiction.  The agency does not represent screenplays.
http://www.greenburger.com/submissions/ 


Sarah Jane Freymann Literary Agency
85% non-fiction, 15% fiction. Nonfiction: spiritual, psychology, self-help, women/men’s issues, books by health experts (conventional and alternative), cookbooks, narrative non-fiction, natural science, nature, memoirs, cutting-edge journalism, travel, multicultural issues, parenting, lifestyle.  Fiction: sophisticated mainstream and literary fiction with a distinctive voice. We are also looking for edgy Young Adult fiction.
https://www.sarahjanefreymann.com/?page_id=3872


Seliteray, Galen, Ghosh
Lit agent for books.   
http://www.sgglit.com/submissions.htm


Serendipity Literary Agency
Represent 60% non-fiction (actively seeking African-American non-fiction, computer books, and juvenile books0 and 40% novels.  
http://www.serendipitylit.com/   (use Submissions menu for type of submission)


The Seymour Agency
Fiction and non-fiction (see each agent for query type)
https://www.theseymouragency.com/Submissions.html


Sheree Bykofsky Associates Literary Agency
Accepts literary and commercial adult fiction and non-fiction (popular reference, business, self-help, humor, biography, memoir, women’s, spiritual, health, fitness, multicultural, parenting, gay/lesbian, and cooking. 
http://www.shereebee.com/book-proposals-at-a-glance/  (scroll down to Book Proposals at a Glance) 


Speciality Book Marketing
Accepts Children’s and middle-grad fiction and non-fiction.  Our literary agency is small and select. We will consider inquiries for: Children’s, Middle Grade, and YA Nonfiction , special interest nonfiction, illustrated or not, provided the author is a credible authority or student of the subject matter and material is from primary sources.
https://www.specialtybooks.com/Service/Information.htm


Spectrum Literary Agency
Represents new and established writers of non-fiction and novels. Agent Lucieene Driver handles 95% fiction and accepts queries for sci-fi, fantasy, mystery, suspense, and romance.
http://www.spectrumliteraryagency.com/instructions.htm


The Spieler Agency
Non-fiction and literary fiction.  If your book is non-fiction, and we would like to know more about it, we will ask you to send us a proposal. If you’ve never prepared one—or even if you have—you may want to have a look at one of the many websites that offer information about crafting a proper proposal. You may also wish to read Michael Larsen’s How To Write a Book Proposal, which is still the Gold Standard on this topic.
https://thespieleragency.com/submissions/


Stephen Pevner Inc.
Specializes in motion pictures, novels, humor, pop culture, urban fiction, and independent filmmakers  Animation, Books, Commercials, Direct-to-Video, Documentaries, Feature Films, Internet Content, Mobile Content, Music Videos, Theatre, Television, and Special events.
No Poetry and Short Stories..
https://stephenpevnerinc.wordpress.com/submissions/


Stimola Literary Studio
Preschool through young adult fiction and non-fiction.  Please see our AGENTS page to select the agent to whom you wish to submit. Please do not query multiple agents. If your project is better suited to another agent at the Studio, we are happy to share with each other. 
http://www.stimolaliterarystudio.com/#/Submissions


Strachan Literary Agency
Fiction: Primarily literary fiction and upmarket commercial. In general no genre fiction, however will consider fiction with crossover potential if beautifully written. Nonfiction: Narrative nonfiction, including memoirs and travel writing. Will consider other nonfiction projects if quirky or interesting.  Particularly interested in “single subject” books (think SALT, or COD, or MAUVE, etc.) Children’s: High quality YA or middle grade fiction. No picture books.  What we don’t handle: Most genre fiction (romance, mystery, science fiction, fantasy, thrillers) unless highly literary, Children’s picture books, Poetry, Screenplays
http://www.strachanlit.com/interests


Stuart Krichevsky Agency
Areas of interest include history, adventure, politics and current affairs, biography, science & natural history, technology & culture, business and memoir. Our fiction list includes authors of literary, commercial, and young adult fiction.
http://skagency.com/submission-guidelines/ 


The Stuart Agency
The Stuart Agency is a full-service literary agency representing a wide range of high-quality nonfiction and fiction, from Pulitzer Prize winners and entertainment figures to journalists, public intellectuals, academics and novelists.  We serve as creative and business partners to our clients through all stages of the publishing process. Our goal is to maximize the potential of their intellectual property across a variety of media — from books, film and television to magazine and electronic formats.
http://www.stuartagency.com/submissions.html


Susijn Agency
The agency’s focus is on authors with international appeal, selling rights worldwide. We represent authors writing in various different languages. Represents fiction and no-fiction. Specializes in international works, selling world rights, representing non-English language writing as well and English.
http://www.thesusijnagency.com/aboutus.htm

 

T

Ted Weinstein Literary Management
Seeks non-fiction only in these areas: current affairs, politics, biography, history, business, science, technology, environment, pop culture, lifestyle, travel, self-help, health and medicine 
https://www.twliterary.com/submissions/


Toni Lopopolo Literary Management
Fiction:  Query letter, synopsis, first five pages of first chapter, and description of fiction writing studies.  No attachments, please. Just the email.  Nonfiction:  Query describing project and writer’s credentials.  Please let us know if you have a formal book proposal and sample chapters.
https://lopopololiterary.com/submissions/


Transatlantic Agency
Transatlantic Agency is a North American, full-service literary agency recognized in the industry for integrity, passion and commitment. Transatlantic specializes in career management for writers and illustrators, covering domestic and international rights, speaking engagements, film/TV and content development, ranging from commercial to literary fiction and nonfiction of all types and for all ages.  Transatlantic agents do not handle stage plays, musicals or screenplays (except those related to the book-to-tv/film projects of their clients).
https://transatlanticagency.com/agents/submissions/


Trident Media Group
Our literary agency is actively seeking new or established authors in a variety of genres and categories of both fiction and non-fiction
https://www.tridentmediagroup.com/submissions/

 

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Union Literary (Elisabeth McHugh)
Accepts most fiction (except SF/Fantasy, Horror, Children’s Books) and all areas of non-fiction, such as Animals, anthropology, biographies, parenting, cooking/nutrition, education, gardening, military, finance, recreation, alternative medicine, and others.  Please be sure to read and consider the agent bios when submitting to the agency, and only submit to the agent you think will best respond to the work. If we think it’s a better fit for someone else within the agency, we will happily refer it to them.
https://www.unionliterary.com/submissions

 

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V S A
Authors who wish to contact us regarding potential representation should send a query letter with the first three chapters (or about 25 pages) pasted into the body of the message to queriesvsa@gmail.com.  We will only accept queries via email. Query letters should describe the project and the author in the body of a single, one-page email that does not contain any attached files. IMPORTANT NOTE: Please paste the first three chapters of your manuscript (or about 25 pages, and feel free to round up to a chapter break) into the body of your email.
https://www.victoriasanders.com/submissions


Vines Agency
Fiction (women’s romantic suspense, historical, supernatural thrillers, mainstream fiction, literary, political thrillers, and legal thrillers) and commercial non-fiction.
http://www.vinesagency.com/

  

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Wade & Co Literary Agency
New proposals for full length adult and young adult books (excluding children’s books or poetry) are always welcome. We much prefer to receive queries and submissions by email, although we do, of course, accept proposals by post. There is no need to telephone in advance.
http://www.rwla.com/submissions.html


Wales Literary Agency
Narrative non-fiction and literary fiction. Non-fiction projects that have cultural or political impact. Elizabeth Wales accepts books designed for a female readership. No genre fiction, westerns, romance, sci-fi or horror. Has a special interest in Pacific Rim, West Coast, and Pacific Northwest stories.
http://waleslit.com/submissions/


The Wallace Literary Agency
http://wallaceliteraryagency.com/


Watkins/Loomis Agency
Specializes in literary fiction, biography, memoir, and political journalism. Our list includes Guggenheim Fellows, MacArthur Fellows, recipients of the American Book Award, PEN American Center Lifetime Achievement Award, National Book Award, and James Beard Award, among others.
http://watkins-loomis.squarespace.com/contact


Waxman Literary Agency
Accepts narrative non-fiction, literary and commercial fiction, memoir, sports, business, culture, health and fitness.  We are not accepting submissions for middle grade or children’s books, screenplays, or illustrations.
https://www.waxmanliteraryagency.com/new-page-1


Wendy Schmalz Agency
Adult fiction and non-fiction. We accept e-mail queries only. Please include a synopsis in the body of the e-mail. Do not attach the manuscript or sample chapters. We respond to queries only if we’re interested in reading the manuscript. If you do not receive a reply within two weeks, it means your manuscript is not right for us.
http://www.schmalzagency.com/Submissions.html


Wendy Sherman Associates Literary Management
In search of quality fiction, thrillers, suspense, narrative non-fiction, practical non-fiction, memoir, human drama. 15-20% of clients are new/unpublished. Seeks fiction (literary and quality/quality women’s fiction, and suspense) and non-fiction (narrative , popular psychology, and parenting)
https://www.wsherman.com/submission-guidelines/


WM Clark Associates
Mainstream literary fiction and non-fiction in the following areas” Memoirs, pop culture, current events. 
https://www.wmclark.com/contact/


William Morris Agency
Fiction and no-fiction. Include synopsis and publication history. WME does not have agent contact specifics or guidelines on its site. As with most agencies you should query first after tracking down the contact information for the agent you are interested in.
http://wmeentertainment.com/offices/


Writers House Literary Agency
50% of clients are new/unpublished. Specializes in all types of popular fiction and non-fiction, everything you might find in a bookstore. Query. Clients include Nora Roberts, V.C. Andrews, Stephen Hawking, Ken Follett, and Heinrich Boll.50% of clients are new/unpublished. Specializes in all types of popular fiction and non-fiction, everything you might find in a bookstore. Query. Clients include Nora Roberts, V.C. Andrews, Stephen Hawking, Ken Follett, and Heinrich Boll. 
http://www.writershouse.com/submissions

  

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No listings at this time.

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No listings at this time.

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The Zack Company Literary Agency
Andrew Zack non-fiction and commercial fiction, esp. thrillers of every type. The Zack Company is currently seeking new authors on the following Nonfiction subjects: Politics,, Military, Current Affairs/Events, Defense/National Security/Intelligence, Politics. I am also looking for works that might be complementary to those subject areas, specifically books having to do with the following  Science & Technology, Science & Nature, especially with an environmental or ecological angle, Popular Science, Aviation, Journalistic nonfiction of an investigative nature, Women’s Issues, from a woman’s right to choose to breaking through the glass-ceiling at work, True Crime
https://www.zackcompany.com/how-to-query-us/

  

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