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What is Characterization?
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There are many ways to show character: exposition; description; action; gestures and mannerisms; setting, tastes, interests; dialogue; thoughts; and narrative voice.
You reveal your character by what he sees, not by what you see.
Example: A young boy would not notice his mother has on a shell-pink dress by Halston, he would see she has on her rich-lady clothes, and within two hours she would be “griping at him” for every little thing because she was grumpy “from wearing high heels.”
Inner thoughts set the scene, advance the plot and show characterization.
Example: Betsy stuck to the edges of the huge ballroom, away from the glowing candles and glittery chandeliers. Mama had outdone herself on this dress, and sure enough the stitches were so tiny a gnat wouldn’t be able to crawl between them. But still, Betsy was sure these beautiful people with their dazzling smiles and twinkling jewelry would be able to spot homemade at fifty paces.
When she was sure no one was looking, she ran a cautious finger up along her ribcage, making sure the safety pin that held the seam there didn’t show. She felt as out of place a mustard stain on a white tuxedo shirt.
Physical characteristics are another way to show characterization. Pick one or two major mannerisms (cracking knuckles or flipping hair out of eyes when nervous) that allow the reader’s imagination to view your characters. Props such as tattoos or body piercing are visual characteristics for a character.
Susan Elizabeth Phillips, best-selling author of Glitter Baby, Fancy Pants, HotShot, and Honey Moon has developed a very good hand-out entitled “Creating Memorable Characters.” The following Character Interview sheet will help you know your character better and allow you to portray their strengths and weaknesses to make them real and believable. You may not know the answers to all these questions when you first start writing, but make a form for each character (in pencil or on the computer) so that you can change it as you learn new things about them.
- Physical appearance as it affects personality.
- Educational background as it affects personality.
- Family background as it affects personality.
- What drives him/her? What does he/she want from life?
- What are his/her strengths and how are they shown?
- Why does he/she have these particular strengths?
- What are his/her flaws and how are they manifested?
- Why does he/she have these particular flaws?
- What aspects of your own personality (strengths/weaknesses/likes/dislikes) can you bring to this character?
- What is he/she going to learn throughout the course of the book? How is he/she going to grow? (i.e. What is he/she capable of doing at the end of the book that he/she couldn’t have done at the beginning?)
- What external force puts him/her in conflict with the heroine/hero?
- What internal force puts him/her in conflict with the hero/heroine?
- What will make him/her beloved by the reader?
- Describe your character’s “spine” (central elements of personality) in three or four words.
After answering all these questions, write or rewrite the scene that introduces your hero/heroine to the reader. Make it active and not passive. Show don’t tell. Include vivid details that make your character come alive. Try to include some element that gains reader sympathy for your character. Do not tell the reader everything you know about the character in one scene.
Kim gave an example from Ray Midge’s, The Dog of the South.
“I ordered a glass of beer and arranged my coins before me on the bar in columns according to value. When the beer came, I dipped a finger in it and wet down each corner of the paper napkin to anchor it, so it would not come up with the mug each time and make me appear ridiculous. I drank from the side of the mug that a left-handed person would use, in the belief that fewer mouths had been on that side.”
That was a truly great characterization paragraph. You can see immediately that he is a meticulous, cautious person who doesn’t want to appear foolish.
___________
This article appeared in Passion on the Plains, the Romance Writers of the Texas Panhandle’s newsletter. The author is unknown at this time, however if anyone knows who wrote this article, please email the information to editor@writingingcorner.com so we can give credit.
AGENTS & EDITORS
- Agents: Knowing When To Hold One and When To Fold
- Copyright Primer, Know Your Rights
- Getting Offers from Multiple Literary Agents
- Landing An Agent Elements Of A Winning Query
- Literary Agents List
- Preditors and Editors
- Publishing, Writing Terms, Acronyms
- Tips for a Successful Editor Appointment
- Want More? Here’s How to Get It
- What NOT to Do When Beginning Your Novel
- Windup for the (Story) Pitch
- Write the Perfect Book Proposal
CALLS FOR SUBMISSIONS
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CALLS FOR SUBMISSIONS MAIN PAGE
- 2026 JAN Calls for Submissions
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CHARACTERIZATION
CONFLICT
DIALOGUE
GRAMMAR & FORMATTING
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GRAMMAR & FORMATTING MAIN PAGE
- Achieving 250 Words / 25 Lines Per Page
- And Sammy, Too? Oh, No!
- Changing Double Hyphens to EM Dashes in Word
- Edit Easier
- High Hopes–Avoiding Common Mistakes
- Misused Words
- Navigating In Your Novel
- Proofreaders Marks
- Research Links
- Rules for Writers
- Slang and Jargon Souces
- Tightening Your Manuscript and Trimming the Word Count
JOBS / MARKETS
- 3 Ways to Make Your Non-Fiction Article Pitch Stand Out
- 35 Online Work Ideas to Earn Good Money Whilst Studying
- An Interview with Holly Ambrose
- Beyond the Basics
- Copyright Primer, Know Your Rights
- Finding Markets Fiction and Nonfiction
- Freelance Writing 101
- Getting Offers from Multiple Literary Agents
- How To Market Your Book After You’ve Written It
- How to Write a Novel Synopsis
- How To Write Your Own Press Releases
- Magazine Links
- Making Money As a Corporate Freelancer
- Market News–All Genres
- Need a Clip? Open a Newspaper
- Newspaper Writing Resources
- Publisher’s Websites
- Selling to Children’s Markets
- Submitting to UK Markets
- Syndication 101
- the Power of the Press
- To Specialize, or Not to Specialize?
- Ultimate Guide to Being a Freelancer 2025 Update
- What Are Your Chances of Getting Published?
- Why Article Writing Should Be A Part Of Your Career Development Strategy
- Why E-Books?
- Write the Perfect Book Proposal
- Write Your Way to $1000 a Month
- Youth Writing Markets
PLOTTING
- 3 Ways to Know When to End Your Chapters
- 7 Excellent Plotting Tips from Agatha Christie
- 7 Ways to Add Great Subplots to Your Novel
- 8 Best Writing Tips to Become a Best Storyteller
- Does Your Plot Need a Subplot?
- Love to Write: Here Is How You Can Build Your Career
- Slang and Jargon Souces
- The All Purpose Plot
- Turning Points and Plot Points in Storytelling
- What NOT to Do When Beginning Your Novel
- Writing the Novel by the Numbers
POINT OF VIEW
QUERIES & PROPOSALS
- Agents: Knowing When To Hold One and When To Fold
- Getting Offers from Multiple Literary Agents
- How to Write a Novel Synopsis
- Landing An Agent Elements Of A Winning Query
- Path to Self-Publishing Success
- Publisher’s Websites
- Publishing, Writing Terms, Acronyms
- Science & Science Fiction Writing Organizations
- Submission Tracking
- Surviving a Book Proposal
- Windup for the (Story) Pitch
- Write the Perfect Book Proposal
- Writing a Synopsis & Query Letter
SUBMISSIONS
- Agents: Knowing When To Hold One and When To Fold
- An Interview with Jack Fisher
- Copyright Primer, Know Your Rights
- EBooks-Fears to Possibilities
- How to Write a Novel Synopsis
- Literary Agents List
- Path to Self-Publishing Success
- Publisher’s Websites
- Publishing, Writing Terms, Acronyms
- Science & Science Fiction Writing Organizations
- Selling to Children’s Markets
- Submission Tracking
- Surviving a Book Proposal
- What Are Your Chances of Getting Published?
- Write Your Way to $1000 a Month
- Writing a Synopsis & Query Letter
- Youth Writing Markets
SYNOPSIS
TIP SHEETS & GUIDELINES
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TIP SHEETS & GUIDELINES MAIN PAGE
- Achieving 250 Words / 25 Lines Per Page
- Changing Double Hyphens to EM Dashes in Word
- Copyright Primer, Know Your Rights
- How To Write Your Own Press Releases
- Knowing and Finding Your Voice
- Plan for Success
- Publisher’s Websites
- Science & Science Fiction Writing Organizations
- What NOT to Do When Beginning Your Novel
- Why E-Books?
- Working with a Critique Group
WORKSHOPS & CONFERENCES
WRITING CONTESTS
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ABOUT WRITING CONTESTS
- A Guide to Assessing Writing Contests
- Writer’s Conferences Do You Really Need To Attend?
- Writing Groups List
- 2026 JAN Writing Contests
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